Tales of the Immaculate Bump
Shelton Hull has the final word on recently deceased hardcore wrestler Mike Awesome. And truly, he was.
Shelton Hull has the final word on recently deceased hardcore wrestler Mike Awesome. And truly, he was.
Listen up, you pencil-neck geeks! Tom “Tearaway” Schulte got the word straight from the heel’s mouth in this autobiography of one of wrestling’s great wildmen, the Missing Link.
Shelton Hull says goodbye to one of the greats of professional wrestling.
Matthew Damascus kills Bladejob dead with a single stroke. Plus, aesthetic lamentations for a wrestler? Que?
Is that Bladejob? Where did you come from? How about that WWE? How about that “HLA”?
Various Artists (Smackdown / Columbia). Review by Matthew Moyer.
Hammered (Sanctuary). Review by Joe Frietze.
An oddly optimistic look at the (timely) mainstream crossover appeal of the Rock, courtesy of “Bladejob”. Yes, yes, but The Mummy Returns is still a piece of shit!
The by-no-means definitive guide to centering your whole April 1st around, yes, Wrestlemaniaaaaaaa! A “Bladejob” exclusive.
It’s time for Bladejob to dole out dubious year-end honors for the “best” that Wrestling had to offer in 2000. Objectivity and common sense went right out the window…
Goddamn! What A Disturbing Triple H Video! That really kind of says it all, doesn’t it? Matthew Damascus critiques the cinematic techniques of a villain’s intro video in “Bladejob”.
Matthew Damascus dusts off Bladejob and takes it for a trawl around the Web to find the ultimate Wrestling canon. Michiku Pro! High School Reunions! Raven Chat Rooms! There is a theme somewhere!
Bladejob delivers the insanity and rabble-rousing that can only come through watching too much wrestling in search of profound answers and art.
Matthew Damascus takes a break from normal continuity to discuss a ho-hum Wrestlemania 2000.
And I’m straying from my original point, which is simply that, there are sites out there that have graphic depictions of ‘a lucky fan’ having a saucy/randy/raunchy threesome (preceded or followed by meaningful conversation and cuddling, mind you) with the Boyz that would make any tried-and-true indie wrestling fan faint dead away…
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.