Patricia Brennan
More Touch (Pyroclastic Records). Review by Bob Pomeroy.
More Touch (Pyroclastic Records). Review by Bob Pomeroy.
III (Soft Abuse). Review by Aaron Shaul.
Invisible Cities (Ubiquity). Review by Aaron Shaul.
Sonic Portation (Prophase Music). Review by Aaron Shaul.
Passages (Full Bleed Music). Review by Aaron Shaul.
Yosuga (Jagjaguwar). Review by Aaron Shaul.
Monster of the Absolute (Strange Attractors). Review by Aaron Shaul.
A Thousand Shades of Grey (Funfudervierzig). Review by Aaron Shaul.
Satin Black (Strange Attractors). Review by Aaron Shaul.
Forget Yourself (SpinART/Cooking Vinyl). Review by Eric J. Iannelli.
Forget Yourself (SpinART/Cooking Vinyl). Review by Eric J. Iannelli.
Bliss of a Madman (Pascal). Review by Stein Haukland.
Split 7” (AAJ). Review by Daniel Mitchell.
44 Down (Reverb). Review by Daniel Mitchell.
Immediate Eternity (Nevermore). Review by David Lee Beowulf.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.