Anna-Lisa
Shades of Blue (NJR). Review by Ed Furniture
Shades of Blue (NJR). Review by Ed Furniture
Philadelphonic (Okeh/550 Music). Review by Patrick Rafter
Column by Hal Horowitz
Audio Guide to Everyday Atrocities (Mayhem). Review by Wil Endriga
Into The Pink (Capitol). Review by Tony Coulson
Sense Field (Warner). Review by Nathan T. Birk
The Brighter Shore (Sealed Fate). Review by Ian Koss
Event Review by Ed Furniture
Are You There God? It’s Us, the Monsignors (Harmless). Review by Allie Gore
Feature by Roi J. Tamkin
Various Artists (Kool Arrow). Review by Carlos Mosqua
Gear Review by Andrew Chadwick
The Scum Also Rises (Revelation). Review by Patrick Rafter
Screen Review by Heinrich Hurtz
Fell in Love at 22 EP (Tooth And Nail). Review by Nathan T. Birk
The Flatlands (All Saints/Thirsty Ear Recordings). Review by brYan Tilford
“After inventing the modern theme park with Disneyland, and revolutionizing it with EPCOT, the Disney Imagineers turned instead to Disneyfied replications of existing attractions: Wet n Wild became Blizzard Beach, Busch Gardens begat Animal Kingdom, Universal Studios was reflected by Disney-MGM Studios…”
Artillería Pesada (Universal Latino). Review by Marcus Leith
Screen Review by Phil Bailey
Black Sails in the Sunset (Nitro). Review by Allie Gore
Christopher Long takes us on a personal journey of rediscovering the magic of music. It’s just the inspiration I needed to continue my own.
Fascinated by the arcane world of musical gear, Randy Radic spoke with dyed-in-the-wool gearhead Greg Hoy about his setup on new EP Holy Mother of God, how he produces his unique sound, and a gear-gone-wrong moment.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.