Buckcherry
Buckcherry (Dreamworks). Review by Drew Id
Buckcherry (Dreamworks). Review by Drew Id
The Gang’s All Here (Hellcat). Review by Julio Diaz
Left for Dead in Malaysia (Drag City). Review by Chad Bidwell
The Wild Sounds of ’50s Rock (Rhino). Review by David Lee Simmons
Various Artists (Didjeridu List/Perfect Pitch). Review by Sarah Ludwig
mosquito dream (Kranky). Review by Matthew Moyer
Angels Only! (Metropolis). Review by Jorge C. Galban
50 Odd Dollars (Razor & Tie). Review by David Whited
Operation Phoenix (Fat Wreck Chords). Review by Patrick Rafter
Map of the Sky (Time Bomb). Review by Nathan T. Birk
Cheating at Solitaire (Time Bomb). Review by James Mann
Can You Still Feel? (Elektra). Review by brYan Tilford
Instrument (Dischord). Review by Keith Mercer
Little Songs (Nettwerk). Review by brYan Tilford
Grammar Bell and the All Fall Down (Jagjaguwar). Review by Chad Bidwell
Column by Julio Diaz
Red Light (Time Bomb). Review by James MacLaren
We’re Assholes (Amp). Review by David Lee Beowülf
There You Go +3 (Columbia). Review by brYan Tilford
A Tribute to the Pixies (Glue Factory/Oglio). Review by Ian Koss
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.
Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.