Buckcherry
Buckcherry (Dreamworks). Review by Drew Id
Buckcherry (Dreamworks). Review by Drew Id
The Gang’s All Here (Hellcat). Review by Julio Diaz
Left for Dead in Malaysia (Drag City). Review by Chad Bidwell
The Wild Sounds of ’50s Rock (Rhino). Review by David Lee Simmons
Various Artists (Didjeridu List/Perfect Pitch). Review by Sarah Ludwig
mosquito dream (Kranky). Review by Matthew Moyer
Angels Only! (Metropolis). Review by Jorge C. Galban
50 Odd Dollars (Razor & Tie). Review by David Whited
Operation Phoenix (Fat Wreck Chords). Review by Patrick Rafter
Map of the Sky (Time Bomb). Review by Nathan T. Birk
Cheating at Solitaire (Time Bomb). Review by James Mann
Can You Still Feel? (Elektra). Review by brYan Tilford
Instrument (Dischord). Review by Keith Mercer
Little Songs (Nettwerk). Review by brYan Tilford
Grammar Bell and the All Fall Down (Jagjaguwar). Review by Chad Bidwell
Column by Julio Diaz
Red Light (Time Bomb). Review by James MacLaren
We’re Assholes (Amp). Review by David Lee Beowülf
There You Go +3 (Columbia). Review by brYan Tilford
A Tribute to the Pixies (Glue Factory/Oglio). Review by Ian Koss
Christopher Long takes us on a personal journey of rediscovering the magic of music. It’s just the inspiration I needed to continue my own.
Fascinated by the arcane world of musical gear, Randy Radic spoke with dyed-in-the-wool gearhead Greg Hoy about his setup on new EP Holy Mother of God, how he produces his unique sound, and a gear-gone-wrong moment.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.