Outsight

Illegal Drukqs

**************************************************************

Outsight brings to light non-mainstream

music, film, books, art, ideas and opinions.

Published, somewhere, monthly since July 1991. Feel free to re-print this article.</font></p>

Please, keep Outsight informed:

Email Outsight at outsight@usa.net.

Ratings are (1) = :(, (5) = 🙂

Outsight Radio Hours Internet radio

Webcasts with live interviews:

Sundays 6pm-8pm EST http://www.new-sounds.net</font></p>

NEWS *********************************

KRS & T&G

Kill Rock Stars (http://www.killrockstars.com)

and 5 Rue Christine change distributors effective January 1 2002 to Chicago’s

Touch and Go Records.  Touch and Go is based in Chicago.  Along with sister

label Quarterstick, Touch and Go also distributes Merge, Thrill Jockey, Drag

City, Estrus, Emperor Jones, Warm Electronic Recordings, Overcoat Recordings

and more. The first record to be part of this new arrangement is Xiu Xiu’s

Knife Play (5RC) in February.  The KRS records to go through the

new system will be Comet Gain and Quixotic’s newest in March 2002. Previously,

Mordam Records had distributed Kill Rock Stars for about 8 years and before

that K records from 1991 to 1993.

</font></p>


ILLEGAL DRUKQS

The TV spot for Aphex Twin’s new

album Drukqs was banned in the United Kingdom. However, you can still

share in its creepy half-minute over the Web via Real Player by surfing to http://www.aphex-twin.com/aphxtv.ram.

For Windows Media, go to http://www.aphex-twin.com/aphxtv.asx.

</font></p>

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SBS RECORDS ACCEPTING SAMPLER SUBMISSIONS

SBS Records, the indie label founded

and run by musician Michelle Malone, accepts submissions for consideration for

the label’s Indie Music sampler. For accepted entries, as well as appearing on the

sampler CD, they will be tied to Web entries for each artist or band. The CD will

be given away to the SBS Records fan base of more than 15,000. Artists receive

50 free samplers. “We have received incredible response about the samplers

from the musicians involved and their fans, and we will continue to offer the

sampler as long as the demand is there,” says Malone. Submissions must

be made on CD of songs less than 4:20 in length with the song or songs (no more

than two) for consideration clearly marked on the disc. Submissions go to: SBS

Records, P.O. Box 3092, Decatur, GA 30031, ATTN: SAMPLER. There is no application

fee, but a $275 fee will apply for accepted material to be used. Artists retain

all publishing rights and ownership.</font></p>


PREACHING TO THE PERVERTED

Pigface, the post-Ministry industrial

super group that features Meg Lee Chin and Chris Connelly took to the road mid-November

with Gravity Kills and gODHEAD. The tour continues through to December 22 for

a final show at The Vic in Chicago. </font></p>

<

p align=”center”> <a

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target=_new”> Listen to or Buy Invisible Records at CDNow</a></font></p>


HEARTS OF THE VALLEY

Valley Entertainment, a distributor

of in-print CDs, has raised the visibility of the after-hours electronic New

Age of Hearts of Space. Valley Entertainment actually acquired Hearts of Space

in a deal that covers back catalog and future releases. Part of that resurrection

is the recently released David Darling’s Cello Blue. The album debuted

at #4 on the New Age Voice Chart from this arranger for multiple cellos with

piano, formerly of the Paul Winter Consort. From another hemisphere comes Rasa.

Union is the uniting of traditional Sanskrit and Bengali songs with atmospheric

Western approaches. The duo that is Rasa offers the ethereal vocals of Kim Waters

and the varied instruments of Hans Christian: on this album from cello to nykelharpa

and keyboards to tambura.</font></p>

<

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target=_new> Listen to or Buy David Darling at CDNow</a>

<a

href=”http://www.cdnow.com/pagename=/RP/CDN/FIND/album.html/itemid=1412358/from=sr-4589690-1

target=_new> Listen to or Buy Rasa at CDNow</a> </font></p>


DVD REVIEWS *************************

Sidney J. Furie, Director

The Leather Boys

Kino on Video

http://www.kino.com</font></p>

Unruly 1960’s English motorcycle

rebels populate this story and the paths taken into adulthood

by three wayward youths. Dot (Rita Tushingham, A Taste of Honey) and

Reg (Colin Campbell) rush into a marriage that swiftly disintegrates as Reg

dwells on sex and his motorcycle friends. One of these friends, the shortsighted

Pete (Dudley Sutton) offers Reg much needed camaraderie. However, Pete clings

too tightly, making the eventual reunion of Dot and Reg that much more difficult

for all involved, including the possible sexually undirected Pete. (3)</font></p>

<

p align=”center”> <a

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target=_new> More on this video title from CDNow</a></font></p>


Genitortures

Society of Genitorture

Retribution Music/G-Spot Films/Music Video Distributors

http://www.genitortures.com

http://www.musicvideodistributors.com</font></p>

Gen of Genitortures has made a name

for her body, showing off its liberal Nordic beauty as a tall Teutonic Mistress

of Discipline. The hard rock-heavy metal-industrial music fairly blends from

one song to another, but the “psychosexual” theatrical antics keep the loyal

fans coming back. In three “acts,” this seven-song S&M show is everything

you’d expect from gorgeous Gen and her B&D helpers. (3)</font></p>

<

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Michael Bishop and Scott Jacoby,

Directors

Rage – 20 Years of Punk Rock: West Coast Style

</i>Seventh Art Releasing

http://www.7thart.com/ </font></p>

Rage is a fascinating documentary

covering the genesis of West Coast American punk rock two decades earlier. What

makes the story so interesting is the core of the telling, which is the interviews

with punk luminaries. Delineating the beginnings of the genre in California

is a most candid Jack Grisham of TSOL (he stole his instruments), a self-deprecating

Jello Biafra (he knew nothing of music) and a disguised Keith Morris of the

Circle Jerks (great glasses!). Also interviewed is former Christian Death goddess

and current mother, Gitane Demone, pro-skater Duane Peters of U.S. Bombs and

seminal punk drummer Don Bolles and more. Interspersed among the interviews

is vintage footage of the Dead Kennedys, The Screamers, Christian Death and

more. (3.5)</font></p>

<

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target=_new> More on this video title from CDNow</a></font></p>


Emerson Lake & Palmer

Pictures at an Exhibition – Collectors Edition

D2 Division Ltd/Favourite TV Inc./ Music Video Distributors

http://www.musicvideodistributors.com</font></p>

This is a DVD release of the 1970

film made of the classic art-trio performing their opus with skill and the evidence

of some serious rehearsing. The digitally remastered recording sounds a bit

muddy at the beginning but is in every way superior to contemporary editions.

You do not need your DVD to enjoy this fact, because one side of the disc is

CD audio. Few prog-rock concept albums can hold a candle to this exquisite collection

of impressionistic songs, mostly the original music of composer Mussorgsky.

(4)</font></p>

<

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Toots & The Maytals

Live at Santa Monica Pier

Allah Son/Music Video Distributors

http://www.musicvideodistributors.com</font></p>

Toots & The Maytals is a foundation for the ska sound, as we are often reminded enthusiastically on this concert

DVD. This 1997 recording at a California beach soiree is pretty far from the

early, groundbreaking Toots, but a good proto-reggae vibe still comes across.

(3)</font></p>

<

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Justin Mitchell

Songs For Cassavetes

The Breadcrumb Trail/Music Video Distributors

http://www.thebreadcrumbtrail.com

http://www.musicvideodistributors.com</font></p>

Filmmaker John Cassavetes characterized

his work with the quote, “In this country, people die at the age of 21.

They die emotionally at 21, maybe younger. My responsibility as an artist is

to help them past 21.” It is this quote that gives the film its title,

a film about musicians surviving and helping others survive post-teen angst.

Also, while the film features several bands and band members it is produced not as a music buffet but an exploring documentary. Mostly the West cost neo-punk

and Olympia, WA, K Records indie rock sound is the focus of this film. Studio

music selections trickle in but the rest of the music selections are short,

live excerpts that are uniformly muddy in sound. What this film has to offer

is honest, natural interviews with the artists on the DIY ethic and what they

get out of a hard job that is not financially rewarding. The 6mm black and white

production independently produced over four years features Sleater-Kinney, Some

Velvet Sidewalk, The Hi-Fives, Unwound and more. In addition to the film, the

DVD includes a 26-minute radio interview/video montage section featuring the

personalities of the film and beyond into the national underground music community.

(3.5)</font></p>

<

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target=_new> More on this video title from CDNow</a></font></p>


Joe Cocker

Joe Cocker in Concert

inakustik/ Music Video Distributors

http://www.in-akustik.com

http://www.musicvideodistributors.com</font</p>>

Anyone that has seen the Woodstock

film will vividly recall the compelling, spasmodic, transcendental performance

by Cocker of <!span> “A Little Help From My Friends.” Nearly three

decades later, this DVD captures an episode of the Organic Tour recorded October

15, 1996 at the Ohne Filter TV studio. At this point, Cocker has long since

distilled and refined the Dionysian energy into exquisite Apollonian soul. His

masterful, soul renditions of “Don’t Let me be Misunderstood,” “Delta Lady,”

High Lonesome Blue” and other Cocker classics require no flailing arms any more

it make an indelible impression. (3.5)</font></p>

<

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ALBUM REVIEWS *************************

Monique Berry

Waking Up

Cantata Entertainment Group

http://www.cantataentertainment.com

http://www.moniqueberry.com</font></p>

Monique Berry, a promising piano

song artist, emerges fully formed as a stunning pop-soul artist

on her sophomore release Waking Up. Emotionally bare, these songs are

authentic and intimate portraits of a revealing lyricist showing advanced sophistication

in her arrangements. Monique’s songs are beautifully understated pieces that

use jazz expression, touches of percolating ethnic percussion and smart, R&B

phrasing. The Asian edition includes an excellent rendition of Paul Simon’s

“Bridge over Troubled Water.” (4)</font></p>

<

p align=”center”> <a

href=”http://www.amazon.com/exec/obidos/ASIN/B00005U1AC/qid=1007928722/outsighthomepage

target=_new> Listen to or Buy at Amazon.com</a></font></p>


Various Artists

The Hot Girls Invite You to Their Chartbustin’ 70’s Party

RPM

http://www.rpmrecords.co.uk

info.rpm@ntlworld.com</font></p>

Hot Hits was a 20-volume series

that flew off the shelves into the hands of eager Top 40 fans in the ‘70’s.

This 2-CD set collects RPM’s choice of 45 “top” 45-sides from this compilation

series. These are well knows songs, like “Lola,” “Penny Lane” and “You’re so

Vain” recorded by session musicians. Production was top-notch, often occurring

at such prestigious locations as EMI’s Abbey Road studios. This is the first

time any part of this slice of ‘70’s music interpreted during the ‘70’s has

made it to CD. (3)</font></p>


Claire Ritter

Castles in the Air

Zoning Records</font></p>

Claire Ritter is an innovative pianist

uniting kinetic neo-classical themes with hip, jazz grooves in original compositions

performed largely acoustically excepting the added substance of electric bass.

There is something Brazilian in the tropical hedonism suggested by his freeing,

loose-limbed pieces. This example of Ritter’s far-seeing, cross-genre vision

is a discovery of magic, sophistication and fun. (4.5)</font></p>


Sianspheric

The Sound of the Colour of the Sun

Sonic Unyon</font></p>

Sianspheric offers the dense, swirling

space rock of such acts as Galaxie 500, Spacemen 3 and others. As such, this

music is a scintillating, enveloping sadness of variegated beauty. Their voice

is the modern corollary of that classic blues line, “I hate to see the evening

sun go down.” This is the feeling of the blues in a post-rock palette using

the verse-chorus-verse brushes for broad-stoked, wall-of-sound impressionism.

(3.5)</font></p>

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Miriodor

Mekano

Cuneiform Records, POB 8427, Silver Spring, MD 20907-8427

http://cuneiformrecords.com</font></p>

Miriodor creates hyper-sophisticated,

post-jazz, post-classical music that requires multi-genre skill on its players.

This is on the level of Zappa/Mothers of Invention for Dadaist art-rock with

humor and innovation. This Canadian Rock in Opposition act offers a subtle French

flavor to their creative romps through prog rock and the Third Stream. Fans

of Henry Cow, The Residents and the “chamber rock” movement will appreciate

their zany genius. (4.5)</font></p>

<

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Einstürzende Neubauten

Strategies Against Architecture III: 1991-2001

Mute

http://www.mute.com</font></p>

This 2-CD set collects previously

unreleased, obscure and alternate versions of Einstürzende Neubauten material

from the decade 1991-2001. Because this retrospective does not merely cull from

released albums it is an excellent compendium for hardcore fans of the rhythm

and noise artists. Also, because this is the decade of the group’s most accessible

work yet, this is an ideal entry point for the curious. “The Garden” could have

come off Peter Gabriel’s Ein Deutsches Album and some other tracks could

have been on the same album, had Trent Reznor produced it. Strategies Against

Architecture III</i> is an important overview of the work from these artists

that helped spawn industrial music without enjoining any of its ostentatiousness.

(5)</font></p>

<

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Pierre Bensusan

Intuite

Favored Nations

http://www.favorednations.com

http://www.pierrebensusan.com</font></p>

Bensusan gives us a level of amazing

solo acoustic guitar performance that has only been achieved by such artists

as John Fahey, Leo Kottke and Michael Hedges. The delicate, shimmering beauty

of this performance arising from a sole performer is always captivating. This

contemporary acoustic guitar virtuoso voices jazz, pop and world sounds in this

boundary-crossing vocabulary of his expansive yet cohesive pieces. The six-string

sorcery of this French-Algerian master suggests mystical desert oases and active

Parisian café scenes. (5)</font></p>

<

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target=_new> Listen to or Buy at CDNow</a></font></p>


Musikanten

Sacred Music of Robert Evett

Innova

http://www.innovarecordings.com</font></p>

Evett was a 20th Century American

Composer who produced an impressive body of sacred choral music. While he was

productive in many differing genres, this excellent recording from the 19 Voices

of Musikanten celebrates his lesser-known contributions to the Catholic liturgy.

Some pieces are a cappella, while the others have organ accompaniment.

(4.5)</font></p>


Suzanne Vega

Songs in Red and Gray

A&M Records</font></p>

On Songs in Red and Gray

personally revisits her acoustic origins with a backdrop of electronic slow-throb

beats. The result is an album as warm and personal as it is mechanical and electronic.

While the juxtaposition may threaten instability, the effect is largely one

of balance and effective contrast. Vega’s personal, poetic lyrics and arrangements

of unplugged melodies over mellow beat music make Songs in Red and Gray a memorable

and successful fusion of styles. (4)</font></p>

<

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Satoko Fujii Trio

Junction

Ewe Records

http://www.ewe.co.jp/ </font></p>

The complex, protean nature of Fujii’s

talent means one does not know what to expect from her recording. Her sophisticated

arrangements can take her piano playing into the realm of Twentieth Century

Music on one disc and adventurous free jazz on another. Here, in trio setting

with bassist Mark Dresser and drummer Jim Black, she once again surprises with

tight, hard bop instrumental jazz. (4.5)</font></p>


Various Artists

Compound

Sulfur/Beggars Group

http://www.beggars.com</font></p>

Robin Rimbaud, a.k.a Scanner, continues

to advance the cause of sophisticated chill-out electronica with another compilation

of various artists from his Sulfur label. Some of the usual suspects appear:

SFT, Future Pilot AKA and Scanner’s appropriately subdued alter ego Scannerfunk.

All in all this is a perfect technophile’s post-psychedelic headspace excepting

the incongruous appearance of brash hip-hop from DJ Spooky and MC Stainless

Steele. (3.5)</font></p>

<

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New Wet Kojak

No. 4 EP

Beggars Banquet

http://www.beggars.com</font></p>

NWK vocalist Scott McCloud, also

guitarist-vocalist for Girls Against Boys, recalls the singing style of The

Fall’s Mark E. Smith. This is an approach stylized by dry authenticity rather

than contrived hummability. In the mix are the ghosts of rock-n-roll remembered

inside electronica triumphant. New Wet Kojak absorbs and reshapes underground

rock from the post-punk ethos to the after-hours club scene. They artfully perform

this alchemy sewing in a soulful vein of saxophone. (4)</font></p>

<

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Demolition String Band

Pulling Up Atlantis

Okra-Tone Records

http://www.okra-tone.com

http://www.bottledmajic.com</font></p>

Demolition String Band can go from

a classic achey-breaky country sound the sad duet “A Career of Loving You” to

a twanging, barnburner version of “Like a Prayer.” Their infectious country-folk,

typified by the bouncy, metaphoric “Give it to the Needy” is a wholly unpretentious,

witty incursion into no-depression alt-country. Among the guest musicians on

the group’s third release are Robert Randolph (Sacred Steel, John Medeski’s

The Word), John Ginty (Sheryl Crow), Sim Cain (Henry Rollins Band) and Robert

Burke Warren (The Fleshtones). (3.5)</font></p>

<

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target=_new> Listen to or Buy at CDNow</a></font></p>


Raoul Björkenheim

Apocalypso

Cuneiform Rune

http://www.cuneiformrecords.com/

</font></p>

Raoul formed Krakatau in the late

80’s after graduating from Berklee School of Music. Since, he has been an experimental

rock mover and shaker, engaging in many projects. Raoul Björkenheim is an innovative

sound sculptor creating instrumental masterpieces with foundations in rock and

jazz. Over the years, Raoul has played with like-minded talents such as Henry

Kaiser, Nicky Skopelitis and Mike Keneally. These artists are also excellent

reference points for appreciating the sophisticated and oblique approach taken

to guitar performance here. This piece was realized 1994-5 as a commission for

the Helsinki Juhlaviikot Festival and originally intended for 100 guitarists.

Björkenheim’s final piece is for 42 musicians: 30 guitarists, 8 bassists and

4 percussionists. This 2000 recording includes parts added since and features

Raoul performing all parts in the studio as a virtual ensemble. (5)</font></p>

<

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Bill Frisell

Bill Frisell with Dave Holland and Elvin Jones

Nonesuch

http://www.nonesuch.com </font></p>

Chameleon guitarist Bill Frisell

announces on the title of this worthy instrumental release his one-time collaboration

with legendary jazz stalwarts Dave Holland, the British bassist of Miles Davis’

Bitches Brew period, and Detroit drummer Elvin Jones, who reconfigured

jazz from his seat at the back of the John Coltrane Quartet. The content of

this album is Frisell numbers hand-picked by co-producer Lee Townsend and himself

for reincarnation by this historic jazz trio. (4.5)</font></p>

<

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target=_new> Listen to or Buy at CDNow</a></font></p>


The Nectarine No. 9

Received, Transgressed & Transmitted

Creeping Bent/Beggars Banquet

http://www.beggars.com

http://www.13thnote.com/creepingbent

http://andyw.zinc.co.uk/nectarine9</font></p>

The Nectarine No. 9 waxes and wanes

between whimsical art-pop songs complete with string sections and grainy, over-exposed

avant-garde guitar-and-electronica on this album of varying texture and mood.

Their edgy experimentalism mixed with near-bubblegum dulcet melodies works for

this encompassing, amorphous sound machine. No matter where they veer into arty

angularity, they never stray far from an easy-beat pop hook. (4)</font></p>

<

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target=_new> Listen to or Buy at CDNow</a></font></p>


Mushroomhead

XX

</i>Filthy Hands/Eclipse Records</font></p>

Mushroomhead offers a disc of dark,

black metal ala Static-X and Slipknot. Through it all, it is impossible not

to think that it’s all been done before. But, if you’re after more of the same

post-heavy metal hardcode, Mushroomhead does it like they mean it. A bonus,

‘hidden’ track at the end is a hilarious call by an indignant African-American

when he finds out he’s not the kid of “black” the group expected to answer their

ad for a guitarist. (2)</font></p>

<

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Victim’s Family

Apocalicious

Alternative Tentacles, POB 419096, SF, CA 94141-9092

http://www.alternativetentacles.com</font></p>

This group has long delved into fringe

areas of punk that border on funk, noise rock and hard rock. This album builds

on past efforts with more breakneck changes, freaky fusions and socially aware

satire. Few other groups, among them Mucky Pup and Mr. Bungle, have so blended

a precise punch with arty noise into a post-metal punk mix. (3.5)</font></p>

<

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