Tag: Chris Connelly

Martin Atkins

Interviews

Martin Atkins leads the revolving mayhem of Pigface and Gail Worley finds out why the heaviest drummer in the land doesn’t play drums much anymore.

Martin Atkins

Interviews

Martin Atkins leads the revolving mayhem of Pigface and Gail Worley finds out why the heaviest drummer in the land doesn’t play drums much anymore.

Mutations

Music Reviews

A Tribute to Alice Cooper (Underground / Ankhor). Review by Stein Haukland.

Illegal Drukqs

Outsight

Tom “Tearaway” Schulte rounds up a shitload of new compact discs and other media, ripe for the pickings in this holiday season. Come on, Cold Meat Industry product in the X-Mas stocking is enough to make any little girl or boy dance for joy.

The Damage Manual

Interviews

You could call it an industrial supergroup: Martin Atkins, Chris Connelly, Jah Wobble, and Geordie Walker bring together decades of experience in bands like Pigface, Killing Joke, Public Image Limited, Ministry, the Revolting Cocks, and more, and start a new project, the Damage Manual. drew West gets the story straight from Atkins himself.

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Henry V

Henry V

Archikulture Digest

Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.

New Music Now 011: Nora O’Connor

New Music Now 011: Nora O’Connor

Features

On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.

Big Time Gambling Boss

Big Time Gambling Boss

Screen Reviews

Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.

Frank Bello

Frank Bello

Features

Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.