Juliana Hatfield
Blood (American Laundromat). Review by Julius C. Lacking.
Blood (American Laundromat). Review by Julius C. Lacking.
No need to worry about offending delicate sensibilities with this playlist. We’re not talking about profanity, so just take the title at face value.
Artificial Heart (Jonathan Coulton). Review by Carl F Gauze.
A boy called Girl Talk. A bio-engineering DJ. Rick Astley and Metallica? Gregg Gillis wholly embraces the philosophy of the “mash-up.” Reyan Ali wonders if what Girl Talk does is legal, good for the industry, or can even be considered music. So, he asked Gillis about it, point blank.
Heart Comma Heart (Self-Released). Review by Ben Varkentine.
A Thousand Days (Kontext). Review by Bob Pomeroy.
Polaroids: A Greatest Hits Collection (Columbia). Review by Andrew Ellis.
Finding Myself Again (). Review by Kyrby Raine.
Eastmountainsouth (Dreamworks). Review by Sean Slone.
The Golden State (Columbia). Review by Bettie Lou Vegas.
Yeah Yeah Yeahs EP (Shifty / Touch And Go). Review by Kurt Channing.
American (Boxcar). Review by Julio Diaz.
Steve Stav finds himself tongue-tied when he engages his favorite chanteuse-next-door in a revealing Q&A.
Sometimes A Circle (Dreamworks). Review by Vanessa Bormann.
Cake And Pie (A&M). Review by Sean Slone.
Tom “Tearaway” Schulte rounds up a shitload of new compact discs and other media, ripe for the pickings in this holiday season. Come on, Cold Meat Industry product in the X-Mas stocking is enough to make any little girl or boy dance for joy.
Songs in Red and Gray (A&M). Review by Julio Diaz.
I Never Learned to Swim: 1990-2000 (Beyond). Review by Julio Diaz.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.