Sigur Ros
Sigur Ros, with Siggi Armann at the Barrymore Theatre in Madison, WI on November 11, 2002. Concert review by Matt Cibula.
Sigur Ros, with Siggi Armann at the Barrymore Theatre in Madison, WI on November 11, 2002. Concert review by Matt Cibula.
Finally the Punk Rockers Are Taking Acid (Restless). Review by Matt Cibula.
Violent Revolution (SPV). Review by Stein Haukland.
Start Breaking My Heart (Domino). Review by Michel Murakami.
Truth & Memory (Flip-Dog). Review by Jason Feifer.
Ping Pong (Carpark). Review by Bob T. Saunders .
Various Artists (Putumayo). Review by Bill Campbell.
The Mix (Wagram). Review by Bill Campbell.
Live 1975: The Rolling Thunder Revue (Sony Legacy). Review by James Mann.
Carl F. Gauze doesn’t need CSI, he’s got Heather Dune Macadam’s The Weeping Buddha, a tightly written muder mystery revolving around modern forensic science and traditional police leg work.
European Onion (Rocketgirl). Review by Carl Glaser.
Lost Songs (Deep Elm). Review by Terry Eagan.
Neva Dinova (Crank!). Review by Stein Haukland.
Souvenir (Law Of Inertia). Review by Daniel Mitchell.
Red Animal War (Deep Elm). Review by Daniel Mitchell.
Mixed Live: Area 2 Detroit (Moonshine). Review by Bill Campbell.
Infiltrate. Destroy. Rebuild (Island Def Jam). Review by Stein Haukland.
Keep It Live - Live Drum and Bass DJ Mix (Moonshine). Review by Dan Stapleton.
The journey to japanned begins for Gregory Schaefer, in a U-Haul to L.A., chased by the devil, and in Japan, between showers at McDonald’s.
What It Is… And How to Get It (Good Ink). Review by Jason Michelitch.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.
Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.