Bloodrose

Bloodrose

Into Oblivion

Retribute

This is black metal as charred and dark as the eyeliner that I thought that the boys in this Finnish outfit would be sporting; much to my surprise, there wasn’t a drop of face paint on any of these guys’ faces. Strangely enough, too, I was quite happy with the way this record sounds (as I usually scoff at black metal, in general).

What I usually hate about black metal is the lack of bass guitar, overabundance of blast beats, operatic singing/screaming, keyboards, and corpse paint; Bloodrose must be aware of such painful sides of B.M., as they seem to attack each one of the genre’s deficiencies. There’s plenty of bass guitar here, and the bass (kick) drum is really loud and prominent. The lead singer comes off as almost demented, with a voice so shrill and evil that the minions of the dark world praise this guy with fists raised high (and mullets flowing like a lion’s mane). In terms of the blast beats on this record, they’re done tastefully enough, as to not send the listener into convulsions, as many a black metal album has been known to do. As I said before, these guys, “look”-wise, are just down home Finnish boys, sans idiotic corpse paint.

The guitars are this record are the champions, with lightning fast riffs and melodic hooks. The players are highly talented, creative, and they have a good ear for a catchy, yet still evil, melody. The riffs these guys come up with are the kind that you sit around the house, emulating with your distorted guitar voice.

Sadly, this record is not without its faults, namely the keyboards. They’re way too loud, and they take away from the aggression and ferocity of the rest of the band members. I’m not sure why B.M. bands are so obsessed with keyboards, but they totally smear the raw evil on this record.

Overall, though, this one rocks hard, from start to Finnish. Into Oblivion is this band’s first full-length, and it’s a very high quality debut, to say the least. If you take Dark Funeral, get rid of their corniness and posturing, add talent and sincerity, then you’ll have a basic idea as to what this record sounds like.

Retribute Records: http://www.retributerecords.com

Leave a Comment

Your email address will not be published. Required fields are marked with *

Recently on Ink 19...

  • Halloween Nuggets

    Halloween Nuggets (Liberation Hall). Review by Charles D.J. Deppner.

  • RoboCop Steelbook
    RoboCop Steelbook

    Computerized police work in 1987? What could possibly go wrong? Carl F. Gauze reviews.

  • Memoria
    Memoria

    Winner of the Jury Prize of the 2021 Cannes Film Festival, Apichatpong Weerasethakul’s Memoria subtly draws viewers into a connective reality shaped by the sounds and images emerging from the unknown. Lily and Generoso share their thoughts on the film, currently touring North America.

  • Say Goodnight, Gracie
    Say Goodnight, Gracie

    Lose a job? Eh, there’s always another one. Review by Carl F. Gauze.

  • New Music Now 007: crêpe girl
    New Music Now 007: crêpe girl

    Episode 007 features new music by Jack White, Snail Mail, and crêpe girl, and 2 sweet Yoko Ono covers from Stephin Merritt and Deerhoof. Stick around for joy!

  • Hot Water Music
    Hot Water Music

    Feel The Void (Equal Vision Records). Review by Charles D.J. Deppner.

  • Watcher
    Watcher

    Chloe Okuna’s new thriller Watcher is an immersive journey into fear. Review by Phil Bailey.

  • From Here
    From Here

    A mass shooting changes the world, but not the people in it.

  • True West
    True West

    Two brothers attempt to get into movies without killing each other. It’s a close call.

  • In The Heights
    In The Heights

    A lottery ticket and a blackout shift a man’s life in the New York Hispanic community.

From the Archives