Steve Taylor and the Perfect Foil
Goliath (Splint Entertainment). Review by Daniel Mitchell.
Goliath (Splint Entertainment). Review by Daniel Mitchell.
No coast (Top Shelf Records). Review by Daniel Mitchell.
Art of Aggression (New Aeon Media). Review by Daniel Mitchell.
The Coldest Day (Exile on Mainstream). Review by Daniel Mitchell.
A Celebration of an Ending (Equal Vision). Review by Daniel Mitchell.
Find the Sun (Sick Room). Review by Daniel Mitchell.
The Hidden Hand (Gold Standard Labs). Review by Daniel Mitchell.
Ohio’s Best (Diaphragm). Review by Daniel Mitchell.
Advance and Vanquish (Roadrunner Records). Review by Daniel Mitchell.
The Neon God: Pt. 2 - The Demise (Sanctuary Records). Review by Daniel Mitchell.
Henry (Doghouse). Review by Daniel Mitchell.
This is Not an Erect, All-Red Neon Body (No Idea). Review by Daniel Mitchell.
Truth is a Menace (No Idea). Review by Daniel Mitchell.
Ex Hex (Lookout! Records). Review by Daniel Mitchell.
The Caitiff Choir (Trustkill Records). Review by Daniel Mitchell.
Trampled Under Hoof (Southern Lord). Review by Daniel Mitchell.
The New What Next (Epitaph). Review by Daniel Mitchell.
Daniel Mitchell fights the nervous jitters as he speaks to cultural icon Lydia Lunch…
You Fail Me (Epitaph). Review by Daniel Mitchell.
Mander Salis (Equal Vision). Review by Daniel Mitchell.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).