Music Reviews
Scud Mountain Boys

Scud Mountain Boys

Do You Love the Sun

Ashmont Records

They were originally known as the Scuds and played loud rock and roll, but they found that after a show they all enjoyed sitting around Bruce Tull’s kitchen table and playing country tunes. So, they added “Mountain Boys” to the name, started bringing a table to gigs, and playing sitting down, and the rest, as they say, is history. From 1995 to 1997, they released three albums, ending with the legendary Massachusetts. Joe Pernice, the group’s leader, went on to form the popish The Pernice Brothers, and while still creating compelling music, they weren’t the Scud Mountain Boys.

Fans of the seminal country band were delighted to see news of the band’s reformation and hints of a new album. Do You Love the Sun finds the original lineup back together, and the result is nothing less than spectacular, albeit in their own, low-key way. The band’s sound is born of classic country – pedal steel and mandolins abound – with Pernice and Stephen Desaulniers trading vocal duties. When the title cut opens the album, you’re transported back to the ’90s, with Pernice’s emotional voice blending in Beach Boys level harmonies. The entire record is a near perfect blend of mid-‘70s country and ’60s pop, never rushing, never shouting, but with moments of extreme beauty, sly wordplay, and a clearly evident love of the country/old time traditions. “Orphan Girl” by Desaulniers wouldn’t sound out of place on a New Lost City Ramblers album of murder ballads, and the band’s version of “Theme from Midnight Cowboy” captures the restless longing of John Berry’s original, while tossing in a few moments of The Band’s “Theme From The Last Waltz” along the way.

In an age that has seen nearly every band from the last 30 years reform, often to less than stellar results, the Scud Mountain Boys have only added to their legacy with Do You Love the Sun. Early versions of the record come with a bonus CD of three unreleased songs from the Massachusetts sessions, and they sound perfectly in sync with the new record, showing that whatever magic existed around that kitchen table has only grown in intervening years. Welcome back, Scud Mountain Boys.

Scud Mountain Boys: http://www.scudmountainboys.com


Recently on Ink 19...

Garage Sale Vinyl: David Bowie

Garage Sale Vinyl: David Bowie

Garage Sale Vinyl

This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!

Abruptio

Abruptio

Screen Reviews

Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.

Cheerleaders’ Wild Weekend

Cheerleaders’ Wild Weekend

Screen Reviews

Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.

Garage Sale Vinyl: Nazareth

Garage Sale Vinyl: Nazareth

Garage Sale Vinyl

In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.

Denude

Denude

Music Reviews

A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.

Garage Sale Vinyl: Bonnie Raitt

Garage Sale Vinyl: Bonnie Raitt

Garage Sale Vinyl

Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.