Sam Doores (New West Records). Review by James Mann.
From Within Marin (Silver Arrow Records). Review by James Mann.
Prospect Hill: The American Songster Omnibus (Omnivore Recordings). Review by James Mann.
Ignored upon release, Marty Stuart’s The Pilgrim is now regarded as a classic of the genre. Read how it came to be in this lavish look.
A Very British Coup (Cadiz Music). Review by James Mann.
Good Good Man (Disismye Music). Review by James Mann.
A genius of American guitar is profiled in this highly recommended documentary.
Doug Kershaw took his Cajun music from the bayou to stardom, but it wasn’t an easy trip.
A brief run-through of some finds of 2019.
Everybody Under The Sun (Living Music). Review by James Mann.
A love of gospel music gave Art Rupe his start in the music business. It lead to Specialty Records and his cast of Hall of Famers.
The Bakersfield Sound (Bear Family Productions). Review by James Mann.
Marfa (Golden Hornet Records). Review by James Mann.
The Quebe Sisters. Review by James Mann.
Carrying On (New West Records). Review by James Mann.
Ann Arbor Blues Festival Vol. 1+2 (Third Man Records). Review by James Mann.
Evergreen (Lemp Electric). Review by James Mann.
Peter Laughner (Smog Veil Records). Review by James Mann.
Fire Out Of Stone (3 Notches Music). Review by James Mann.
Sounds Like Music (Omnivore Recordings ). Review by James Mann.
The Who’s legendary bassist comes to life in The Ox.
Performance Art for the quarantined.
When I Was a Writer (Pravda). Review by Bob Pomeroy.
