The Flat Five
Another World (Pravda Records). Review by Bob Pomeroy.
Another World (Pravda Records). Review by Bob Pomeroy.
Ice Age (Riding Easy Records). Review by Carl F. Gauze.
In Space (Omnivore). Review by Bob Pomeroy.
The genius behind The Beach Boys played to a rapturous crowd in Atlanta, and Roi Tamkin was lucky enough to be there!
Marriage (Deer Bear Wolf). Review by James Mann.
Country superstar Glen Campbell keeps on touring even with severe Alzheimer’s disease.
Turn Out the Light, Turn on the Stereo. Review by Michelle Wilson.
Electricity by Candlelight- NYC 2/13/97 (Bar/None Records). Review by James Mann.
Do You Love the Sun (Ashmont Records). Review by James Mann.
City of Sand (Narnack Records). Review by Carl F Gauze.
Lonerism (Modular Fontana). Review by Jason O’Neal Griggs.
Singles (Bananastan). Review by James Mann.
If you think Lawrence of Arabia has too much sand, then you might think this documentary has too much Brian Wilson. Rein in the impulse to fast forward and learn a bunch about the most cerebral Beach Boy.
Tropsicle (Pretty Ambitious Records). Review by Laura Pontillo.
Public Stain (Jagjaguwar). Review by Matthew Moyer.
The Desert of Shallow Effects (Major Domo Records). Review by Tim Wardyn.
The Horse Power EP (Quite Scientific Records). Review by Carl F Gauze.
Relayted (Jagjaguwar). Review by Matthew Moyer.
Infinite Arms (Columbia). Review by Sean Slone.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.