Dark Enough To See The Stars (In The Black Records). Review by James Mann.
Carrying On (New West Records). Review by James Mann.
The Record Company rolled into Athens, Georgia on a peachy Monday evening and took the Georgia Theatre on a blues roller coaster. Michelle Wilson went along for the rollicking ride and loved every minute.
Cordelia Elsewhere (Deer Lodge Records). Review by James Mann.
S/T. Review by James Mann.
An Article From Life: The Complete Recordings (Bear Family Productions). Review by James Mann.
Game Day (Omnivore). Review by Bob Pomeroy.
People Are My Drug (Psychic Hotline). Review by James Mann.
The Tribute Concerts (Bear Family Records). Review by James Mann.
Angels and One Armed Jugglers (Chrysanthemum Records). Review by Bob Pomeroy.
Five Minutes to Live: A Tribute to Johnny Cash (Saustex Records). Review by James Mann.
The Musical Mojo of Dr. John: A Celebration of Mac and his Music (Concord Music Group). Review by Bob Pomeroy.
Okey Dokey (Natural Child Records and Tapes). Review by Jen Cray.
From the Big Muddy: Impressions of the New Orleans Jazz and Heritage Festival 2016
The Light (Thirty Tigers). Review by James Mann.
Country Funk II: 1967-1974 (Light In The Attic Records). Review by James Mann.
Odd Fellows Rest (Louisiana Red Hot Records). Review by Michelle Wilson.
A “noncooperative” documentary follows the life and career of Eric Clapton from the breakup of the Yardbirds until the 1970s.
All the Labor celebrate the unique - and weird - world of The Gourds. James Mann says “Play it again!”
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The winner of the FIPRESCI Prize at the 2021 Viennale, The Tale of King Crab has documentarians Alessio Rigo de Righi and Matteo Zoppis creating their first hybrid-fiction feature, which expands on the provocative mythologies birthed in the town of Vejano, Italy. Generoso and Lily review this immersive and imaginative film.
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