Disappearer
A tribute to Low and a whole lot of nervous energy join forces to make a memorable evening of music for Julius C. Lacking.
A tribute to Low and a whole lot of nervous energy join forces to make a memorable evening of music for Julius C. Lacking.
The Way To You (Anzic Records). Review by Bob Pomeroy.
Frontier’s Edge (Diamond West). Review by Bob Pomeroy.
This week, Christopher Long reflects fondly on his misfit tweenage daze, as he discovers a reasonably healthy used vinyl copy of City Nights, the 1978 sophomore set from Canadian pop-rock kingpin, Nick Gilder — for just six bucks!
Joe Bonamassa brings his blues-rock extravaganza to historic Red Rocks Amphitheatre in Morrison, Colorado, where Michelle Wilson is thrilled to review a bucket-list show.
Broken Gargoyles (Intravenal Sound Operations). Review by Bob Pomeroy.
“I’m the Man” (New Machine Recordings). Review by Stacey Zering.
The second volume of Arrow Video’s Blood Money collection unleashes four more tales of revenge in the old West. Phil Bailey reviews.
Return to that magical night in 1956 when five of the top rock and rollers met up at Sun Records for the very last time. Carl F. Gauze reviews Million Dollar Quartet at Orlando Shakes.
This week, Christopher Long once again gets hoodwinked by his principal “dealer.” As a result, he scores a fabulous fix —an original vinyl pressing of Nancy’s Greatest Hits, the 1970 compilation LP from Nancy Sinatra — for just six bucks!
Here’s a fascinating documentary on Tom Sullivan and his oeuvre of low budget horror films that remade the genre in the 1980s. Carl F. Gauze reviews Invaluable: The True Story of an Epic Artist.
Live in 1967: Volume Three (Forty Below Records). Review by Bob Pomeroy.
The Gennett Suite (Patois Records). Review by Bob Pomeroy.
Renderings (Summit/MAMA Records). Review by Bob Pomeroy.
That fancy menswear shop? It used to be the home of punk rock on the Bowery. Jesse Rifkin walks us through NYC neighborhoods, reconstructing their now long-gone music scenes and thriving night life in This Must Be The Place: Music, Community and Vanished Spaces in New York City.
It All Goes Up (Black Mesa Records). Review by Christopher Long.
This week Christopher Long ventures into a proper used record outlet and discovers a long-pursued treasure: a rather punished original LP pressing of Innervisions, the 1973 classic from Stevie Wonder, for just $6.
They Live in My Head (Wharf Cat Records). Review by Bob Pomeroy.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.