Transmatic
Transmatic (Immortal). Review by Daniel Mitchell.
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
Transmatic (Immortal). Review by Daniel Mitchell.
Lucky 7 (Artemis). Review by Bettie Lou Vegas.
Move Toward the Exit (One Mad Son). Review by Stein Haukland.
Punk 2001 (Fastmusic). Review by Brian Kruger.
A Tribute to the Soundtrack to Robert Altman’s Nashville (Mint). Review by Sean Slone.
Perseverance (Universal). Review by Daniel Mitchell.
Diverse (Compost). Review by Bill Campbell.
The Soul and the Edge: The Best of Johnny Paycheck (Sony Legacy). Review by James Mann.
Listen to the Night (StarTime). Review by Anton Wagner.
Belly of the Sun (Blue Note). Review by David Whited.
Sapphic Delight (Smegma). Review by Bill Campbell.
Global Trancemissions _02: Ibiza (Moonshine). Review by Kiran Aditham.
Tricks For Dawn (spinART / Cooking Vinyl). Review by Eric J. Iannelli.
Spirit Touches Ground (Dreamworks). Review by Vanessa Bormann.
20 Pop Songs (Alternative Tentacles). Review by Vanessa Bormann.
Please… Die! (Century Media). Review by David Lee Beowulf.
The Lament Configuration (Earache). Review by Matthew Moyer.
Sing The Real (Vanguard). Review by Vanessa Bormann.
Various Artists (Nitro). Review by Margie Libling.
Nocturnal Activity (!K7). Review by Bill Campbell.
Get ready for an incredible lineup from Seattle’s 51st Bumbershoot Arts and Music Festival, this Labor Day weekend.
A pair of Tinto Brass films from the ’90s reminds viewers we weren’t always so uptight. Phil Bailey gets erotic with All Ladies Do It and Frivolous Lola from the esteemed Italian director.
Christopher Long takes us on a personal journey of rediscovering the magic of music. It’s just the inspiration I needed to continue my own.
Fascinated by the arcane world of musical gear, Randy Radic spoke with dyed-in-the-wool gearhead Greg Hoy about his setup on new EP Holy Mother of God, how he produces his unique sound, and a gear-gone-wrong moment.