Your Love Broke Through
The Worship Songs of Keith Green (Sparrow). Review by Stein Haukland.
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
The Worship Songs of Keith Green (Sparrow). Review by Stein Haukland.
Martial Arts Weekend (Absolutely Kosher). Review by Ian Koss.
Latitude (Truck Stop). Review by Terry Eagan.
Samba Bossa Nova (Putumayo). Review by Bill Campbell.
Pacific Coast Rambler (Koch). Review by Eric J. Iannelli.
Your Favortie Weapon (Triple Crown). Review by Vanessa Bormann.
51 Phantom (Tone Cool / Artemis). Review by Kurt Channing.
Feminist Sweepstakes (Mr. Lady). Review by Bettie ,Lou Vegas.
Sakuteiki (Rune Grammofon). Review by Stein Haukland.
Arcana (Sensory). Review by David Lee Beowulf.
Alif: Love Supreme (Narada World Select). Review by Dave Aftandilian.
Morning Star (Koch). Review by Stein Haukland.
Rain of a Thousand Flames (Steamhammer / SPV). Review by David Lee Beowulf.
Valedictory Songs (Woronzow). Review by Stein Haukland.
Tied to the Mast (Radical). Review by David Lee Beowulf.
The Family Jewels (Straight Line). Review by Jeff Montgomery.
1970 EP (Tone Casualties). Review by Stein Haukland.
We Are the Only Friends We Have (Big Wheel Recreation). Review by Margie Libling.
Various Artists (Putumayo). Review by Bill Campbell.
Bone Days (Asitis Productions / Daemon). Review by Bill Campbell.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.
Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.