Belphegor
Blutsabbath and The Last Supper (Mercenary / World War III). Review by David Lee Beowulf.
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
Blutsabbath and The Last Supper (Mercenary / World War III). Review by David Lee Beowulf.
Greatest Hits (Sparrow). Review by Vanessa Bormann.
Lapalco (Star Time). Review by Bryan Tilford.
BBD (Big Ten / Universal). Review by Bill Campbell.
Hooray For the Moon (New West). Review by Stein Haukland.
Lost In Revelry (Misra). Review by Daniel L. Mitchell.
The Composition of Ending and Phrasing (Beyond). Review by Margie Libling.
Provisions, Fiction and Gear (Virgin). Review by Matt Cibula.
Remotecontrolled Scythe (Mercenary Musik). Review by Daniel L. Mitchell.
Sound Go Round (Kindercore). Review by Ian Koss.
For Lovers Only (Motown). Review by Bill Campbell.
Vengeance Ascending (Olympic). Review by Daniel L. Mitchell.
Jivarodelia (Kindercore / Electronic Watusi Boogaloo). Review by Matt Cibula.
Home From Home (Epitaph). Review by Margie Libling.
XX (Universal). Review by Vanessa Bormann.
Original Television Soundtrack (Nettwerk America). Review by Vanessa Bormann.
Humanracist (Blackened). Review by Daniel Mitchell.
Relentless Beats Vol. 2 (Moonshine). Review by Vanessa Bormann.
Anthology (Motown / UMG). Review by Matt Cibula.
Fed to Your Head (Rubric). Review by Daniel Mitchell.
With his latest book, What This Comedian Said Will Shock You, celebrated stand-up Jedi Bill Maher “shocks” readers by doing the most outrageous, unthinkable, and socially unacceptable thing imaginable: he speaks rationally, logically, and objectively.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.