Music Reviews

Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.

NOFX

Music Reviews

So Long, and Thanks for All the Shoes (Epitaph). Review by Brian Shelley

Marmoset

Music Reviews

Hiddenforbidden (Secretly Canadian). Review by Chad Bidwell

Bughead

Music Reviews

Big Baby (Locked Groove). Review by David A Clark

Robert Lurie

Music Reviews

you speak in too many voices (Black Rider). Review by S.D. Fitzpatrick

Covered In Black

Music Reviews

An Industrial Tribute to the Kings of High Voltage, AC/DC (Cleopatra). Review by Gail Worley

Dwarves

Music Reviews

The Dwarves Are Young And Good Looking (Epitaph). Review by Charles D.J. Deppner

Sick

Music Reviews

Original Soundtrack Recording (Razor & Tie). Review by Anton Wagner

Aphex Twin

Music Reviews

Come To Daddy EP (Warp/Sire). Review by Michael Welch

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Joe Jackson

Joe Jackson

Event Reviews

Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.

Matías Meyer

Matías Meyer

Interviews

With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.

Mostly True

Mostly True

Print Reviews

Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.

The Tin Star

The Tin Star

Screen Reviews

Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.

Flipside

Flipside

Screen Reviews

Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.