- Music Reviews
- April 23, 2019
Forever Overhead (Arts & Crafts). Review by Jeremy Glazier.
Doctor Demento Covered in Punk (Demented Punk Records). Review by Carl F Gauze.
Jonathan Karrant Live. Review by Stacey Zering.
This horror classic shines in it’s new Blu-ray reissue.
The Angels in Heaven Done Signed My Name (Easy Eye Sound). Review by James Mann.
Texas Piano Man (New West Records). Review by Jeremy Glazier.
Ghost Town. Review by Stacey Zering.
Generoso Fierro reviews Italian-English director Franco Rosso’s uncompromised masterpiece about racial tensions in late 70s London, Babylon, which arrives to US theaters for the first time on March 8th.
The Fifth Cord seems more art house then grindhouse.
Valley of the Bones (Famous Brown Boots Music). Review by Jeremy Glazier.
The Whole Shebang (Bigger Better More Records). Review by Christopher Long.
Got a Mountain to Climb (Sour Wine Records). Review by Stacey Zering.
The winner of the Golden Bear at the 2018 Berlinale, Touch Me Not, Adina Pintilie’s experimental feature, challenges conventions while examining the fear of intimacy.
Dick Cavett gets inside the comic mind of Robin Williams, Richard Lewis, Bobcat Goldwait, Gilbert Gottfried and more.
Train (Semafore Music). Review by Stacey Zering.
Carnival Barkers (Cleave Recordings). Review by Bob Pomeroy.
Forever (Juniper Records). Review by Stacey Zering.
The Sybil EP (Mutant Cat Records). Review by Bob Pomeroy.
Guillermo del Toro gives a new look at gothic horror in Crimson Peak.
From Memphis to New Orleans – Songs From Robin Hood Lane (Bar/ None). Review by Bob Pomeroy.