Kelley Stoltz
One-man records can be dangerous things. By their very nature self-indulgent,…
Music, media, and thought from the Ink 19 editorial team
One-man records can be dangerous things. By their very nature self-indulgent,…
You’re black metal’s favorite troll, at the head of Norway’s most popular metal act, the legendary Emperor. What happens when you leave the band to make ambient, keyboard-driven instrumental records? Nathan T. Birk delves into the crypt of Mortiis.
A side of this 7” is a cover of John Coltrane’s “Naima,” off of his Gian…
Some Stupid with a Flare Gun (Checkered Past Records). Review by Troy Mayhew
Growing Up Clean In America (Ultimatum Music). Review by Tony Coulson
Event Review by Mike R. Farad
Event Review by Jason Feifer
Volume 3 (K-Tel). Review by Jeff Rand
Entain (Mille Plateaux). Review by Nirav Soni
Interview by Andrew Chadwick
Stomping Ground (Mojo). Review by Jeff Rand
Event Review by Redd Klaats
Life Everlasting, Amen (Firework Editions). Review by Nirav Soni
(rec + play) (Caipirinha). Review by Nirav Soni
Revelation 666-The Curse of Damnation (Century Media). Review by Mike Fournier
Event Review by Phil Bailey
Fast Forward (Pavement). Review by Nathan T. Birk
Interview by Holly Day
Underneath The Underground (GMM Records). Review by Brian Kruger
Bitwise Operators (Malvado Records). Review by Aaron Schultz
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.