Winner of the Jury Prize of the 2021 Cannes Film Festival, Apichatpong Weerasethakul’s Memoria subtly draws viewers into a connective reality shaped by the sounds and images emerging from the unknown. Lily and Generoso share their thoughts on the film, currently touring North America.

Generoso and Lily review the taut family drama, A Chiara, currently in limited release around the country. The winner of the Directors’ Fortnight Award at the 2021 Cannes Film Festival, the film is the final installment of director Jonas Carpignano’s Calabrian triptych.

On December 8, 2021, we lost the great Robbie Shakespeare, who along with Sly Dunbar, formed one of the most coveted rhythm sections and production teams in music history.

Lily and Generoso select and review their ten favorite features, seven supplemental films, and two prized repertory releases of 2021.

Shortly after AFI Fest 2021 wrapped, Generoso spoke at length with director, Araceli Lemos about her award-winning and potent feature debut, Holy Emy. Lemos’s film uses elements of body horror in her story about the exoticization of two Filipina sisters living in Greece and how that exploitation creates a distance between them.

Earlier this year, director Payal Kapadia was awarded the Oeil d’or (Golden Eye) for best documentary at the 74th Cannes Film Festival for her debut feature, A Night of Knowing Nothing. Lily and Generoso interviewed Kapadia about her poignant film, which employs a hybrid-fiction technique to provide a personal view of the student protests that engulfed Indian colleges and universities during the previous decade.

The 2021 edition of the American Film Institute’s Festival, was a total success. After mounting a small virtual festival in 2020, AFI Fest came roaring back this year with a slate of 115 films representing over fifty countries. Lily and Generoso rank their favorite features from this year’s festival which include new offerings from Céline Sciamma, Miguel Gomes, and Jacques Audiard.

Generoso speaks with director Alonso Ruizpalacios, whose dynamic new feature, A Cop Movie, utilizes a unique and effective hybrid documentary style to examine police corruption in and around Mexico City. A Cop Movie was the winner of the Silver Bear for Outstanding Artistic Contribution at the 2021 Berlin Film Festival.

Animation director Jane Samborski and writer and director Dash Shaw join Lily and Generoso Fierro for a conversation about their latest film, Cryptozoo. The winner of the NEXT Innovator Award at this year’s Sundance Film Festival, Cryptozoo is a dazzling animated feature that examines big questions about good intentions and conservation. The film opens up in theaters and for streaming on August 20th.

Generoso sits down with guitarist and composer Mike Baggetta to discuss his work with Mike Watt and Stephen Hodges in mssv and the challenges of creating during the pandemic.

After several orphaned children are found murdered in a remote Kazakh village, and the suspects mysteriously die in custody, a reporter is sent in to investigate potential police corruption in director Adilkhan Yerzhanov’s impressive neo-noir, A Dark, Dark Man.

The latest feature from the surrealist comedy mind of Quentin Dupieux, Mandibles is that timeless story of two clueless lifelong friends who toil relentlessly to train their giant house fly Dominique to rob banks for them.

Opening on VOD through independent theaters on March 5th, Keep An Eye Out is director Quentin Dupieux’s (Rubber, Deerskin) deviously surreal and comedic take on the police procedural.

The Sparks Brothers is director Edgar Wright’s (Baby Driver, Shaun of the Dead) long awaited documentary on Ron and Russell Mael’s legendary musical outlet, Sparks, which has released over 25 albums during their career. Generoso reviews the film fresh from its world premiere at this year’s Sundance Film Festival.

Generoso reviews Preparations to be Together for an Unknown Period of Time, the mesmerizing second feature by Hungarian writer/director Lili Horvát.

With just a few short days before Christmas in Glasgow, morning drive time disc jockey, Alan “Dickie” Bird finds himself caught in the middle of an absurd ice cream war in Bill Forsyth’s masterful 1984 comedy, Comfort and Joy. Generoso reviews this underrated gem which he holds dear as his all-time favorite holiday film.

Lily and Generoso select and review their ten favorite features, five supplemental films, and prized repertory releases of 2020.

With Piedra Sola, director Alejandro Telémaco Tarraf has presented us with one of the most compelling debut features we’ve seen in years. At AFI Fest 2020, Generoso spoke with Alejandro about the Andean Cosmovision and the blending of fiction and documentary in his film.

2020 marks the sixth consecutive year that Lily and Generoso have attended the American Film Institute’s Festival. Here, they review their favorites from this year’s feature film offerings.