Generoso Fierro reviews Albert Serra’s new transgressive feature Liberté, winner of the Special Jury Prize at the 2019 Cannes Film Festival.

Generoso reviews Tommaso, the provocative new feature from director Abel Ferrara (Bad Lieutenant, Pasolini), which stars Willem Dafoe and Christina Chiriac.

A Steady Drip, Drip, Drip (BMG). Review by Generoso Fierro.

Generoso reviews Pedro Costa’s affecting docufiction feature, Vitalina Varela, which won the Best Actress and Golden Leopard awards at the 2019 Locarno International Film Festival.

Directors James Ramey and Arturo Pimentel examine the history and culture of the Purépecha people in their feature documentary, The Emperor of Michoacán.

Lily Fierro speaks with director Sofia Bohdanowicz about her hybrid documentary filmmaking process in her newest film, MS Slavic 7.

Generoso speaks with director Corneliu Porumboiu about his new film, an intricate, comedic noir, The Whistlers, which was selected as the Romanian entry for the Best International Feature Film at the Academy Awards.

Lily and Generoso select their ten favorite features, a collection of supplemental films, and a best repertory release of 2019.

For the fifth straight year, Lily and Generoso assess a selection of new features from the eclectic program at AFI FEST, Los Angeles’ most prominent film festival.

One of the most compelling films screening at this year’s AFI Fest is the second feature by Serbian director Ivana Mladenovic; Ivana the Terrible. The award-winning filmmaker spoke with Lily and Generoso Fierro at AFI Fest 2019 about weaving fiction into her own reality.

One of the most highly regarded works to screen at this year’s Locarno Film Festival was Quý Minh Trương’s The Tree House (Nhà cây), a documentary that dramatically utilizes a science fiction lens to simultaneously examine the cultures of multiple ethnic groups in Vietnam while compelling the audience to question the contemporary importance of visual documentation.

Generoso reviews the astute and prophetic feature, No Place Like Home, Jamaican director Perry Henzell’s long-awaited follow up his cult classic, The Harder They Come, which has been recently restored and is celebrating a short theatrical run and Blu-ray release.

A culmination of a decade of production and featuring the brilliant performances of four actresses realized in six episodes with a running time of 14 hours, director Mariano Llinás’ La Flor is a bold cinematic exploration of fiction filmmaking.

Willem Dafoe stars in Abel Ferrara’s look at director and writer Pasolini.

Director Bi Gan’s Long Day’s Journey Into Night is an atmospheric and ambitious deconstruction of cinematic motifs, narrative, and time that forces us to re-evaluate how we understand film, our memories, and how they intertwine.

With the upcoming release of his eagerly awaited new album, 99 Cent Dreams, soul singer Eli “Paperboy” Reed speaks in depth about his songwriting process and working with the legendary vocal group, The Masqueraders, and Grammy winning producer, Matt Ross-Spang, with Generoso Fierro.

Generoso Fierro reviews Italian-English director Franco Rosso’s uncompromised masterpiece about racial tensions in late 70s London, Babylon, which arrives to US theaters for the first time on March 8th.

The winner of the Golden Bear at the 2018 Berlinale, Touch Me Not, Adina Pintilie’s experimental feature, challenges conventions while examining the fear of intimacy.

For his 47th feature, The Image Book, which won the first Special Palme d’Or at Cannes, Jean-Luc Godard continues to evolve cinematic language as he searches for the meaning and truth of image and sound.

Generoso speaks with director, Talal Derki, about his Academy Award for Best Documentary Feature nominated film, Of Fathers and Sons.