Tag: Aimee Mann

Cults

Music Reviews

Static (Columbia). Review by Jen Cray.

Robbers on High Street

Event Reviews

Dodging fights in the streets, Jen Cray made it inside The Social for a gorgeous evening of dreamy indie pop courtesy of Robbers on High Street and Great Northern.

Jim White

Music Reviews

Jim White,Drill A Hole In That Substrate And Tell Me What You See,Luaka Bop ,James Mann

Jim White

Music Reviews

Drill A Hole In That Substrate And Tell Me What You See (Luaka Bop). Review by James Mann.

Glenn Tilbrook

Interviews

Squeeze co-founder Glenn Tilbrook is taking it solo these days, touring the U.S. in an RV and having a great time of it. Steve Stav catches up with one of the premier songwriters of the ’80s.

I Am Sam

Music Reviews

Music From and Inspired By the Motion Picture (V2). Review by Brian Broccoli.

Aimee Mann

Music Reviews

Known almost as much for her well-publicized bouts with record labels who eit…

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Henry V

Henry V

Archikulture Digest

Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.

New Music Now 011: Nora O’Connor

New Music Now 011: Nora O’Connor

Features

On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.

Big Time Gambling Boss

Big Time Gambling Boss

Screen Reviews

Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.

Frank Bello

Frank Bello

Features

Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.