Deadweight
Half-Wit Anthems (Country Club). Review by Anton Wagner.
Half-Wit Anthems (Country Club). Review by Anton Wagner.
The Washdown EP (Lookout!). Review by Anton Wagner.
A Tribute to Benefit the WMNF Building Fund (Pure Tone). Review by Anton Wagner.
Make the Robot Cowboys Cry EP (Sub Pop). Review by Anton Wagner.
Live on Brighton Beach (Ministry Of Sound). Review by Anton Wagner.
Soundtrack (Volcano). Review by Anton Wagner.
Record In Red (Secretly Canadian). Review by Anton Wagner.
Listen to the Night (StarTime). Review by Anton Wagner.
Sure, we all know you should always “pass the dutchie pon the left hand side,” but what are the other vital rules of pot etiquette? Simon Worman details them all in Original Official Joint Smoking Rules. Anton Wagner tokes and passes.
Self-Assembly (Bar/None). Review by Anton Wagner.
Chitlin’ Fooks (Hidden Agenda/Parasol). Review by Anton Wagner.
Ultimate Collection (Hip-O). Review by Anton Wagner.
AM Gold (Jade Tree). Review by Anton Wagner.
Communicating at an Unknown Rate (Yoyo). Review by Anton Wagner.
The Last Match (Slumberland). Review by Anton Wagner.
My Screamin’ Jay Hawkins experience is limited to a couple of TV appearances …
Euphone are a study in exquisite complication, amassing sets of disparate moo…
I’m torn. On one hand, the Solipsistics tend perilously towards preciousness….
Once again, Finnish instrumental combo Laika and the Cosmonauts (not to be co…
Traffic (Ink 19, December 2000)
This week, Christopher Long visits a Florida rummage sale where he comes across a well-cared-for vinyl copy of Smash Hits, the 1969 compilation LP from the Jimi Hendrix Experience, for just two bucks, and he soon rediscovers why the guitar-slashing icon remains “the whole package.”
88 Films gives new life to The Lady Assassin, Tony Lou Chun-Ku’s delightful mix of kung fu, Wuxia swordplay, and palace intrigue.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.