Saltwater Hank
G̱al’üünx wil lu Holtga Liimi. Review by Bob Pomeroy.
G̱al’üünx wil lu Holtga Liimi. Review by Bob Pomeroy.
Joe Frietze talked with Sass Jordan about her new live album featuring a set from 1994 with a young Taylor Hawkins on drums, the changing music industry, the use of rain as a musical trope, and electrolytes.
A pair of century old silent films from multiple Academy Award winning director Frank Borzage hit Blu-ray/DVD with new scores by Andrew Earle Simpson. Phil Bailey reviews the 1922 silent Frank Borzage double feature Back Pay & The Valley of Silent Men.
Teen pregnancy and small town politics nearly tear a family apart.
Western Swing and Waltzes and Other Punchy Songs (La Honda Records/ Thirty Tigers). Review by Jeremy Glazier.
Just Words (Continental Holland). Review by Carl F. Gauze.
Dawson, North West Territory, Canada had one of the biggest gold strikes ever. Silent movies entertained the miners between gambling and drinking, but the films were later dumped into the permafrost.
Bandit Queen (King of the Road Records). Review by Carl F Gauze.
The Courtneys II (Flying Nun). Review by Bob Pomeroy.
Melokaane (Pump Up the World). Review by Bob Pomeroy.
Various Canadians (Manitoba Music). Review by Carl F Gauze.
Grey Buried (Quite Scientific). Review by Aaron Shaul.
The Besnard Lakes Are the Roaring Night (Jagjaguwar). Review by Carl F Gauze.
Cops Don’t Care 7”/ Spring St. (M’Lady Records/ Quite Scientific). Review by Aaron Shaul.
Is Passed in Sleep; At Night He Hunts (Jumberlack Media). Review by Nora Richardson.
Yukon Blonde (Bumstead Productions Ltd., Nevado Records). Review by Carl F Gauze.
This Is Thirteen (VH1 Classics). Review by Duncan B. Barlow.
Let Go EP (SideCho). Review by P. McEver.
The Asheville Squints (Quite Scientific). Review by Aaron Shaul.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.