Julius Hemphill
The Boyé Multi-National Crusade For Harmony (New World Records). Review by James Mann.
The Boyé Multi-National Crusade For Harmony (New World Records). Review by James Mann.
Rich Man (Concord Records). Review by Michelle Wilson.
The Complete Riverside Recordings (Riverside Records). Review by James Mann.
Jazz at Massey Hall (Original Jazz Classics/Debut). Review by James Mann.
Race Riot Suite (Kinnara Records). Review by James Mann.
Don Van Vliet, aka Captain Beefheart has died of complications from MS at 69 – now that’s some Low Yo Yo stuff. James Mann recalls a genius.
The distance between Eunice Waymon and Nina Simone is explained and explored for Jessica Whittington in this somewhat dry biography.
Genius + Soul = Jazz (Concord Records). Review by James Mann.
It wasn’t all Bach and hypochondria in the life of mercurial pianist Glenn Gould. Shelton Hull finds this new biography awash in details of the great musician’s love life and other psychological insights.
Shelton Hull finds there is much to learn in this collection of conversations with the enigmatic and innovative trumpeter, not nearly as reticient with interviewers as legend has it.
Shelton Hull eagerly devours reissues of lesser-known work by the jazz titans Coltrane, Ellington, and Mingus. What’s left to do then but riff, baby, riff!
Monk Round The World (Hyena/Thelonious). Review by Ben Varkentine.
Eight Plus (Dreyfus Jazz). Review by Eric J. Iannelli.
About a Boy Original Soundtrack (XL / ARTISTdirect). Review by Matt Cibula.
Contrabass (Solponticello Records). Review by Bill Campbell
Spin & Drift (Premonition). Review by Marcel Feldmar.
Looking for Aztlan (Acoustic Levitation) and In Concert From There to Here (Mutable). Review by Nirav Soni.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.