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Double Negative (Sub Pop). Review by Julius C. Lacking.
Double Negative (Sub Pop). Review by Julius C. Lacking.
Invincible. Review by James Mann.
Miracle Temple (Merge). Review by Jen Cray.
Sing In My Meadow (Latent Recordings). Review by Carl F Gauze.
Joey’s Song: Volume 1 and Joey’s Songs for Kids: Volume 1. Review by Sean Slone.
Sand & Lines (One Percent Press). Review by Matthew Moyer.
Berlin - Live At St. Ann’s Warehouse (Matador Records). Review by Carl F Gauze.
Filling up The Plaza Theatre with their heartbreaking sounds, Cowboy Junkies treat Orlando – and Jen Cray – to an evening of tear-jerking beauty.
Tinderbox (A Major Label). Review by David Whited.
You may not expect that Rilo Kiley would be high on Jen Cray’s list of must-see live bands, but after their recent takeover in Orlando they most definitely are up there!
Lion The Girl (New Line). Review by Jen Cray.
Eastmountainsouth (Dreamworks). Review by Sean Slone.
Messy Blue Ending (h2m). Review by Stein Haukland.
Here Comes Winter (Manifesto). Review by Ian Koss.
Blessed Are the Trials We Will Find (Kimchee). Review by Stein Haukland.
Live @ WREK 6/5/01 (self-released). Review by Roi J. Tamkin.
Films For Radio (Back Porch). Review by Dave Aftandilian.
Open (Latent/Zoe Recordings). Review by Sean Slone.
Interview by Gregory Schaefer
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.