Maria Muldaur
Don’t You Feel My Leg - The Naughty Bawdy Blues of Blu Lou Barker (The Last Music Company). Review by David Whited.
Don’t You Feel My Leg - The Naughty Bawdy Blues of Blu Lou Barker (The Last Music Company). Review by David Whited.
Bad Mouthin’ (Yep Roc). Review by David Whited.
Hard. Review by David Whited.
Second Hand Heart (Reprise). Review by David Whited.
The songwriting community has lost a hidden icon. David Whited shows us the man behind the curtain.
Live: We’re Usually a Lot Better Than This (Full Light Records). Review by David Whited.
Tinderbox (A Major Label). Review by David Whited.
David Whited shares what he learned from Ian MacDonald’s seminal look at 1960s Beatles’ songs and their influence on American culture.
Mining Songs from the Appalachian Coalfields (Lonesome Pine Council on Youth). Review by David Whited.
Sweet Danger (LDR/Loyal Dutchess Records). Review by David Whited.
Bring It On Home - The Soul Classics (Burgundy). Review by David Whited.
Invisible Man (Full Light). Review by David Whited.
Fair and Square (Oh Boy Records). Review by David Whited.
This Weary Way (Full Light Records). Review by David Whited.
The Appalachians (Dualtone). Review by David Whited.
‘Big Oil’ has slowly taken us on a cultural down-hill slide in more ways than one. We’ve come to accept the idea of every customer working for them. Like any most any behemoth, give them enough rope, they’ll eventually hang themselves in front of some of us, like they did in front of David Whited.
Walkin’ in the Shadow of Life (Back Porch Records/Neville Nation Records). Review by David Whited.
Live In NC (Full Light Records). Review by David Whited.
Rev Neil Down, Lahna Deering, Jerry Scheff, Henry McCullough, Doors, Paul McCartney, Ireland, Switzerland ,Deering and Down,,Echo Lounge Atlanta GA,May 28th 2004,David Whited
The Rev. Neil Down and The Quite Fetching Lahna Deering blast the Echo Lounge in one of their first shows in the ‘Lower 48.’ David Whited reports.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.