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Chapel Hill,Emo,Post-rock,Post-hardcore,Ben Flanagan,io,Where the Engines Lay,Eleventh Hour,Stein Haukland
Chapel Hill,Emo,Post-rock,Post-hardcore,Ben Flanagan,io,Where the Engines Lay,Eleventh Hour,Stein Haukland
Where the Engines Lay (Eleventh Hour). Review by Stein Haukland.
Stylish Nihilists (Revelation). Review by Stein Haukland.
Various Artists (Buddyhead / Nettwerk). Review by Daniel Mitchell.
Spirit Flags (Sonic Unyon). Review by Dan Stapleton.
Anchor Vs. Breakdance Vietnam (Triple Crown). Review by Stein Haukland.
Dasein (Fearless). Review by Stein Haukland.
Till We Have Faces (The Militia Group). Review by Stein Haukland.
Easily Lost in the Present (Hyphenated American / Ambiguous City). Review by Stein Haukland.
Only These Movements Remain (Matlock). Review by Stein Haukland.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.
Hear My Song: The Collection, 1966 - 1995 (Madfish Music). Review by Bob Pomeroy.
Seijun Suzuki’s 1958 widescreen film noir feature, Underworld Beauty, comes to Blu-ray.
Phil Bailey reviews quirky sexploitation film Facets of Love (1973), a saucy Hong Kong costume drama from director Li Hsang-han of kung fu powerhouse Shaw Brothers, now out on Blu-ray.
Longtime Ink 19 staff writer Christopher Long spent almost the entire year consuming and writing about new music. Here are his personal Dirty Dozen: the 12 records that made his heart the happiest in 2024.
Stormchaser (Inebriated Music / Anthem Entertainment). Review by Christopher Long.
Let It Rock: Live from the San Francisco Civic Center 1980 (Liberation Hall). Review by Bob Pomeroy.