Palberta
Palberta5000 (Wharf Cat). Review by Julius C. Lacking.
Palberta5000 (Wharf Cat). Review by Julius C. Lacking.
As individuals, Jay Som and Palehound each have their musical quirks and unique style. Together as Bachelor they plot a strange new course through the realm of dream pop.
There’s no detail too small or scar too deep for Eels to pick up and examine in a wry musical light.
Up (Temporary Residence). Review by Aaron Shaul.
What could be more delightful than a cruise ship with Venom as the house band? A conversation with compulsive musical-project-starter Rob Crow, Ian Koss believes.
Offcell (Absolutely Kosher Records). Review by Margie Libling.
Live From Camp X-Ray (Vagrant). Review by Kurt Channing.
Mondo Aqua Kitty (Headhunter/Cargo). Review by Kurt Channing
Time Of My Life (Frenchkiss Records). Review by Danielle Holian. Featured photo by Jim Fuller.
The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts (Epitaph). Review by Steven Cruse.
A Peak in the Signal: Live 1979-1980 (Tiny Global Productions). Review by Peter Lindblad.
We Take No Prisoners (The Singles: 1995 – 2006) (BMG). Review by Christopher Long.
Bob Mould finishes his 2024 Fall Solo Tour, bringing legendary energy to Atlanta.
Featured photo by Charles DJ Deppner.
Crescent City Jewels (Troubadour Jass ). Review by Bob Pomeroy.
Featured photo by Eric Waters and Girard Mouton.
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.