Avenged Sevenfold
Waking The Fallen (Hopeless). Review by Nick Plante.
Waking The Fallen (Hopeless). Review by Nick Plante.
Keystone (Hopeless). Review by Stein Haukland.
This is Unity Music (Hopeless). Review by Liza Hearon.
Curse of the Selby Tigers (Hopeless). Review by Matt Cibula.
Less Hits, More Tits (Hopeless). Review by Liza Hearon.
Live in West Hollywood (Hopeless). Review by Brian Kruger.
A Tribute to Turbonegro (Hopeless). Review by Marcel Feldmar.
Crossing With Switchblades (Hopeless). Review by Marcel Feldmar.
Trainwreck (Hopeless). Review by Liza Hearon.
Redefining Music (Hopeless). Review by Jason Feifer.
Short but sweet, new wave-stained pop punk screaming out through the two song…
Dillinger Four are one of the most respected and popular bands on the underground punk scene today. But are they big enough to take on the Almighty Himself? Sean Carswell asked guitarist Erik how the band fares on its new album, Versus God.
A good 10 years since their first self-titled full length, Samiam is still a …
I couldn’t wait for this album to come out. I’ve listened to Dillinger Four’s…
Screen Review by Andrew Chadwick
Monte Carlo (Hopeless). Review by Patrick Rafter
Back on the Streets (Hopeless). Review by Patrick Rafter
Pray For Mojo (Hopeless). Review by Julio Diaz
Punk Rock Confidential (Hopeless). Review by Andrew Chadwick
Review by David Lee Beowülf
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.