James Kochalka
Matthew Moyer is enraptured with James Kochalka’s wonderfully simple and joyous mix of early Peanuts and Gahan Wilson, earnest smiles, wide eyes, and rubbery bodies. You should be, too.
Matthew Moyer is enraptured with James Kochalka’s wonderfully simple and joyous mix of early Peanuts and Gahan Wilson, earnest smiles, wide eyes, and rubbery bodies. You should be, too.
Jeffrey Brown draws his life in very small panels.
James Kochalka’s Superf*ckers is a raunchy, dark, proudly toilet-humored takedown of every superhero team going. Matthew Moyer recommends you keep this one out of kids’ reach.
Diabetics beware: Owly’s sweet nature and silent do-gooding is not to be taken lightly. Not even black-hearted Matthew Moyer could insulate his frozen countenance against Andy Runton’s warm, thick lines.
Run for the hills, folks. The Kochalka bears are coming. Brian Heater sets traps.
The De-Evolution of Yasmine Bleeth (Ed Furniture). Review by Julio Diaz.
Analog Vs. Digital (Tarquin). Review by Ian Koss.
Live EP (Cornerstone RAS). Review by Rob Ward.
In Perspective: Incredibly Strange Muzak (Ink 19, February 2001)
Like that kid that picks up your guitar and dashes off breathtakingly beautiful melodies when you’ve been struggling to render…
Print Review by Ian Koss
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.