Blood (American Laundromat). Review by Julius C. Lacking.
Christmas Party. (Columbia) Review by Joe Frietze.
Hop Along and Speedy Ortiz bring an evening of indie rock to a packed Orlando house. Jen Cray patiently waits for it to boil over.
Jenny Lewis never fails to make Orlando, and Jen Cray, feel like giddy little school kids… especially when she brings Speedy Ortiz along for the ride.
Central Florida has got itself a proper music festival in the way of the BIG GUAVA. Save your gas money, cause with a lineup this good there’s no reason to drive 500 miles north to get your festival fix.
Jenny Lewis overcomes being the opening band, and sound and lighting issues, to overwhelm an Orlando audience, as Jen Cray knew she would.
Tomorrow Is Alright (Fat Possum). Review by Jen Cray.
Jenny Lewis drenches Orlando with her sweet and soulful country tinged folk music. Jen Cray is amongst the adoring, sold-out crowd.
Fire Songs (Vanguard Records). Review by Tim Wardyn.
Made of Bricks (Fictions/Geffen). Review by Jen Cray.
The Execution of All Things (Saddle Creek). Review by Aaron Shaul.
Recently on Ink 19...
Carl F. Gauze reviews Live and Fucking Loud From London on DVD, featuring the queen of rock and roll sex appeal, Wendy O. Williams.
Director Laura Citarella, of the famed filmmaking collective El Pampero Cine, has created with her newest feature Trenque Lauquen a provocative transformation of her protagonist Laura (Laura Parades), whom Citarella first introduced in her 2011 film Ostende. Lily and Generoso enjoyed an in-depth conversation with Citarella about Trenque Lauquen when it screened at AFI Fest 2022.
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.