Steve Earle
Channing Wilson opens for Steve Earle as Steve tours on his Alone Again Live album.
Channing Wilson opens for Steve Earle as Steve tours on his Alone Again Live album.
Guy (New West Records). Review by Jeremy Glazier.
Cash Cabin Sessions, Vol. 3 (Aimless Records). Review by James Mann.
A bastion of the Texas Two Step fights off the real estate boom in Austin Texas.
Ray Wylie Hubbard recounts his rough and tumble life and James Mann finds it well lived indeed.
The Ruffian’s Misfortune (Bordello Records). Review by James Mann.
Blind, Crippled and Crazy (New West Records). Review by Joe Frietze.
Live: The Storyteller (Aimless Records). Review by Joe Frietze.
Near Truths and Hotel Rooms (Live) (Oh Boy Records). Review by Joe Frietze.
Various Artists (Compadre). Review by Carl F. Gauze.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.