Minus the Bear
Menos el Oso (Suicide Squeeze). Review by Aaron Shaul.
Menos el Oso (Suicide Squeeze). Review by Aaron Shaul.
Zwei (French Kiss Records). Review by Carl F Gauze.
Left And Leaving (Sub City). Review by James Mann.
Kill The Moonlight (Merge). Review by Kiran Aditham.
Wood/Water (Anti / Foreign Leisure / Epitaph). Review by Jason Feifer.
Margie Libling discovers why it’s “cool to cry” when she talks with Travis, Andy, and Stuart of Piebald.
They Love Those Who Make the Music (Initial). Review by Daniel L. Mitchell.
Eudora (Vagrant). Review by Jason Feifer.
Jets To Brazil, with J. Majesty and Pedro The Lion at Graceland in Seattle, WA on September 23, 2000.
Jets To Brazil, with Shiner, at the Echo Lounge in Atlanta, GA on September 8, 2000. Concert review by James Mann. Photos by June Rich.
This second album made me listen to it a few more times than the first one be…
What’s emo? Don’t ask Sunny Day Real Estate drummer William Goldsmith, as he claims not to understand the label. Instead, he spoke to Gail Worley about Yoga, Carpal Tunnel Syndrome, and his band’s creative process.
Orange Rhyming Dictionary (Jade Tree). Review by Andrew Chadwick
Interview by Andrew Chadwick
The Strangeways celebrate 30 years as Sarasota’s premier ska band in this documentary.
With her newly-released memoir, Earth to Moon, actress, podcaster, and boutique tea merchant Moon Unit Zappa delivers much more than a nitty-gritty account of life as a member of one of music’s most iconic families.
Cult classic cannibal shockers The Woman and its prequel, Offspring, let the gore flow on 4K UHD in a new set from Arrow Video.
A young royal must step up and run a kingdom, but he prefers to party with his buddies in this rare classic by Stephen Schwartz. Pippin plays at Winter Garden, Florida’s Garden Theatre through September 15, 2024.
Judy Craddock speaks with Jeffrey Foucault about his first album in six years, The Universal Fire, and connecting all kinds of dots in the wake of loss.
All In: Unreleased & Rarities — The New West Years (New West Records). Review by Jeremy Glazier.