He’s produced everyone from Herbie Hancock to Soundgarden. Michael Beinhorn tells about the art of music production.
Dan Donegan gives Ink 19’s Elianne Halbersberg the lowdown on Indestructible, Disturbed’s third consecutive No. 1 album, following in Metallica’s footsteps, and getting laid at concerts.
Black Ice (Columbia). Review by Christopher Long.
For their first headlining American tour, Japan’s Dir En Grey have brought along Fair To Midland and Bleed The Dream to further challenge young audiences with new hybrids of Metal. Jen Cray caught show #2 at Orlando’s House of Blues.
Best Of (Chapter One 1997 – 2004) (TVT). Review by Andrew Ellis.
Getting Away With Murder (Interscope). Review by Andrew Ellis.
MTV2 Headbangers Ball: Volume 2 (Roadrunner Records). Review by Joe Frietze.
Resident Evil Apocalypse: Music From and Inspired by the Original Motion Picture (Roadrunner Records). Review by Joe Frietze.
We’ve Come For You All (Sanctuary). Review by Van Sias.
Wonder What’s Next (Epic). Review by Margie Libling.
Blackout (Jive). Review by Stein Haukland.
Scars (Sanctuary). Review by James Mann.
Immortal EP (Arista). Review by Stein Haukland.
Saturate (Hollywood). Review by Stein Haukland.
Live… One Nation Underground (Portrait / Columbia). Review by Stein Haukland.
Disclaimer (Wind-Up). Review by Stein Haukland.
Anyone (Roadrunner). Review by Stein Haukland.
Rock N Roll Gangster (Epic). Review by Christopher R. Weingarten.
Armageddon Through Your Speaker (Interscope). Review by Matt Cibula.
Come Clean (Geffen/Flawless). Review by Nathan T. Birk.
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Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.