Making a Scene
Various Artists (Temperamental). Review by Kurt Channing
Various Artists (Temperamental). Review by Kurt Channing
The Gay Parade (Bar/None). Review by Kurt Channing
Pantychrist (Seeland). Review by Kurt Channing
A Dream In Sound (Elephant Six/Arena Rock). Review by Kurt Channing
Kleenexgirlwonder (March). Review by Kurt Channing
WWCD (Put It On A Cracker). Review by Kurt Channing
Cavalcade (Thrill Jockey). Review by Kurt Channing
Circle Line Tours (Smilex). Review by Kurt Channing
Various Francophiles (March). Review by Kurt Channing
A CCR Tribute (Urinine). Review by Kurt Channing
Fourfold Remedy (Wiiija/Beggars Banquet). Review by Kurt Channing
Destroy All Human Life (Fat Possum/Epitaph). Review by Kurt Channing
Live In New York City (Gadfly). Review by Kurt Channing
Event Review by Kurt Channing
Strawberry Presents (Nocturnal). Review by Kurt Channing
Meet The Lothars (Camera Obscura/Wobbly Music). Review by Kurt Channing
f (Ojet). Review by Kurt Channing
The New Rising Sons (GrapeOS). Review by Kurt Channing
Column by Kurt Channing
Column by Kurt Channing
Christopher Long takes us on a personal journey of rediscovering the magic of music. It’s just the inspiration I needed to continue my own.
Fascinated by the arcane world of musical gear, Randy Radic spoke with dyed-in-the-wool gearhead Greg Hoy about his setup on new EP Holy Mother of God, how he produces his unique sound, and a gear-gone-wrong moment.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.