Catspaw (Omnivore Recordings). Review by James Mann.
It’s a perfect time to bring Sound Salvation to a wider audience via the Internet, albeit in a different form.
Toronto (Last Chance Records). Review by Michelle Wilson.
The singer-songwriter discusses his latest album, Standards , and an upcoming Commotions retrospective with Steve Stav.
Skrang: Sounds Like Bobby Sutliff (Career Records). Review by James Mann.
Easy Wonderful (Universal Republic). Review by Sean Slone.
Live at the Variety Playhouse (Vanguard). Review by Tim Wardyn.
Shine (National Recorder). Review by Andrew Ellis.
Every Kind of Light (Ryko). Review by Sean Slone.
Stereo Blues (Action Musik). Review by Sean Slone.
Free Expression (Action Musik). Review by Sean Slone.
The Unstudied Sea (Sincere). Review by Sean Slone.
Road Star Doolittle (Five One, Inc.). Review by Rob Walsh.
The Thorns (Aware Records/Columbia). Review by James Mann.
Happy To Be Here (Bus Stop). Review by Stein Haukland.
Bob Pomeroy waxes lyrical about the resurgence of long-lost faves Oh OK and reminisces about celebrity stalking. Just a little.
Last Call For Vitriol (Arena Rock). Review by Eric J. Iannelli.
Lapalco (Star Time). Review by Bryan Tilford.
In the Presence of Greatness (Action Musik). Review by Sean Slone.
Demolition (Parasol). Review by Sean Slone.
Recently on Ink 19...
Just in time for the heavy metal Christmas shopping season, European author Alexandros Anesiadis delivers his latest — a thorough and riveting encyclopedia-type account of the hard-working DIY American bands that created an important underground music scene that’s well worth remembering.