The Real Thing (Reissue) (Rhino/Slash). Review by Carl F Gauze.
Oddfellows (Ipecac). Review by Jason O’Neal Griggs.
Visqueen (Ipecac Recordings). Review by Jen Cray.
There’s No 666 in Outer Space (Ipecac). Review by Aaron Shaul.
Cafeteria Brutalia (Sickroom). Review by Aaron Shaul.
How to Sell the Whole F#@!ing Universe to Everybody Once and For All (Mimicry). Review by Michael Crown.
Suspended Animation (Ipecac). Review by Kiran Aditham.
Terraforming (Now Or Never). Review by Addam Donnelly.
Wonderland (Abacus/Century Media). Review by Stein Haukland.
Into The Valley Of Death (Epitaph). Review by Stein Haukland.
Irony is a Dead Scene (Epitaph). Review by Stein Haukland.
Recordings of Music For Film (Warp). Review by Kiran Aditham.
Tom “Tearaway” Schulte keeps the good times rolling with reports on Disaster Records, blues reissues, the Melvins and enough cd reviews to make your head explode a la Scanners.
Our Lady Peace singer Raine Maida talks about the band’s most recent CD, Spiritual Machines, and lists and discusses his ten favorite songs with Gail Worley.
The Director’s Cut (Ipecac). Review by David Lee Beowulf.
Recently on Ink 19...
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.