Faith No More
The Real Thing (Reissue) (Rhino/Slash). Review by Carl F Gauze.
The Real Thing (Reissue) (Rhino/Slash). Review by Carl F Gauze.
Oddfellows (Ipecac). Review by Jason O’Neal Griggs.
Visqueen (Ipecac Recordings). Review by Jen Cray.
There’s No 666 in Outer Space (Ipecac). Review by Aaron Shaul.
Cafeteria Brutalia (Sickroom). Review by Aaron Shaul.
How to Sell the Whole F#@!ing Universe to Everybody Once and For All (Mimicry). Review by Michael Crown.
Suspended Animation (Ipecac). Review by Kiran Aditham.
Terraforming (Now Or Never). Review by Addam Donnelly.
Wonderland (Abacus/Century Media). Review by Stein Haukland.
Into The Valley Of Death (Epitaph). Review by Stein Haukland.
Irony is a Dead Scene (Epitaph). Review by Stein Haukland.
Recordings of Music For Film (Warp). Review by Kiran Aditham.
Tom “Tearaway” Schulte keeps the good times rolling with reports on Disaster Records, blues reissues, the Melvins and enough cd reviews to make your head explode a la Scanners.
Our Lady Peace singer Raine Maida talks about the band’s most recent CD, Spiritual Machines, and lists and discusses his ten favorite songs with Gail Worley.
The Director’s Cut (Ipecac). Review by David Lee Beowulf.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.