Ace Frehley
Origins, Vol. 2 (Entertainment One (eOne)). Review by Christopher Long.
Origins, Vol. 2 (Entertainment One (eOne)). Review by Christopher Long.
Smokehouse Serenade (Highlander Records). Review by Michelle Wilson.
Soundcheck (Provogue /Mascot Group ). Review by Carl F Gauze.
Pearls & Swine and Everything Fine (Purge). Review by Carl F Gauze.
After 30 years in the music industry, producer, songwriter and musician Larry Dvoskin has released a set of his own music. Gail Worley finds out why it took so long.
What We All Come to Need (Southern Lord). Review by Carl F Gauze.
Punctuated Equilibrium (Southern Lord). Review by Matthew Moyer.
Masters of War (Big Rack Records). Review by Carl F Gauze.
Snow, Mountain, Geisha (White Shoe). Review by Aaron Shaul.
Guitarded (Voice Print Records). Review by Carl F Gauze.
Eruption (Fuel 2000). Review by Carl F Gauze.
Theme for A Nude Disintegrating Parachutist Woman (Wantage USA). Review by Carl F Gauze.
Hooray! It’s a Deathtrip (SPV). Review by Stein Haukland.
The No. 6 Dance (Small Stone). Review by Nathan T. Birk.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.