Einstürzende Neubauten
Rampen (apm: alien pop music) (POTOMAK). Review by Steven Cruse.
Rampen (apm: alien pop music) (POTOMAK). Review by Steven Cruse.
Liturgy crashes a party brought to you by indie buzz acts to 1: confuse fans who came out to see Sleigh Bells and Diplo, and 2: give Matthew Moyer a reason to show up.
The Machine Cuisine Companion Cassette (Anchor Brain). Review by Matthew Moyer.
Finsternis (Public Guilt). Review by Matthew Moyer.
Fans of cutting-edge electronic music most likely have Michael Rother to thank. Rother was one of the prime movers in a German music scene, dubbed krautrock, that still sets the standard for exciting, weird, and groovy music. Ink 19 had the pleasure of chatting with Rother, who seems as comfortable with creating new music as he is with being a careful archivist of the music and legacy of his previous bands.
Tracks and Traces (Gronland/High Wire). Review by Matthew Moyer.
Seven Days Now (CSSR). Review by Matthew Moyer.
Primary Colours (Beggars/XL Records). Review by Matthew Moyer.
Anthology (Mute Records). Review by Matthew Moyer.
His/Hers (Type). Review by Matthew Moyer.
Goodbye, Farewell (Socyermom Records). Review by Matthew Moyer.
An interview with Erik Johnson, the humble and brilliant front man for the San Francisco-based psychedelic band Wooden Shjips.
Mondo Dell’Orrore (Crucial Blast). Review by Matthew Moyer.
Satan’s Circus (Drone/Universal). Review by Kiran Aditham.
Beyond the Horizon Line (Silber). Review by Stein Haukland.
I’ll Take It (Arena Rock). Review by Matthew Moyer.
Neu (Asian Man). Review by Aaron Shaul.
Japan,indie,no-wave,new wave,rock,Polysics,Neu,Asian Man,Aaron Shaul
From Where the Sun Now Stands I Will Fight No More, Forever (Alternative Tentacles). Review by Stein Haukland.
Pajama Avenue (Loose Thread). Review by Stein Haukland.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.
Carl F. Gauze takes in See You at the Movies, another exciting Winter Park Playhouse Spotlight Cabaret featuring Orlando’s own Tay Anderson.
A small town woman finds peace with her family in Rachel Hendrix, part of the 2024 Florida Film Festival, an Oscar®-qualifying festival now in its 33rd year.