The Thing that Ate Floyd
(Lavasocks Records). Review by Scott Adams.
(Lavasocks Records). Review by Scott Adams.
Hawkwind Triad (Neurot). Review by Matthew Moyer.
In a Dark Tongue (Neurot Recordings). Review by Matthew Moyer.
Shrinebuilder (Neurot Recordings). Review by Matthew Moyer.
Viscera (Translation Loss). Review by Matthew Moyer.
How The World Came To An End (Candlelight). Review by Bob Ham.
Somnambulists (Iodine). Review by Addam Donnelly.
Daniel Mitchell discusses fashion tips, including corpse paint and viking helmets, with Brad Wharton from metalcore stalwarts Premonitions of War.
The Work Which Transforms God (Candlelight Records). Review by Terry Eagan.
Dulling Occams Razor (Blackmarket Activities). Review by Marty Pursley.
Unlistenable (Zero To One). Review by Rob Walsh.
A Parade of Chaos (Solid State). Review by Stein Haukland.
Individual Rites (Prosthetic/Metal Blade). Review by Nathan T. Birk.
A Sun That Never Sets (Relapse). Review by Nathan T. Birk.
Spirit Bound Flesh (Neurot). Review by Nathan T. Birk.
Seminar II: The Holy Rites of Primitivism Regressionism and Seminar III: Zozobra (Tortuga). Review by Nathan T. Birk.
Time is the Distance (Epitaph). Review by Brian Kruger.
Throwing Myself (SolidState). Review by Nathan T. Birk.
What is “sound art” and how does it relate to the heavy rock of Neurosis? Nirav Soni asks Steve Von Till, guitarist for both Neurosis and their side project, Tribes Of Neurot.
Times Of Grace (Relapse). Review by Keith Mercer
Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.
Ink 19’s Stacey Zering talks with writer Doug Bratton, who takes us inside his indie murder mystery comic book series, Isolation.
On today’s show, Charley Deppner, Eszter Balint, and Pat Greene enjoy a discussion of terror, punk rock, and the duality of musical genius.
In this episode, Jeremy Glazier talks with Tim Bluhm and Greg Loiacono of The Mother Hips, just as their entire back catalog is released on vinyl in partnership with the Blue Rose Foundation.
This week, savvy shopper Christopher Long scores an abused vinyl copy of The Long Run, the 1979 Eagles classic, from a local junkie for a pack of smokes and a can of pop.
Black Holes Are Hard to Find (Nemu Records). Review by Carl F. Gauze.
Carl F. Gauze reviews his second As You Like It in three days, the latest a candy-colored complexity from Rollins College’s Annie Russell Theatre.
Episode 21, in which Jeremy Glazier has a fun conversation with the incredible musician, author, and artist Andy Aledort.