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Column by David Lee Beowülf
Column by David Lee Beowülf
Vovin (Nuclear Blast). Review by David Lee Beowülf
Awakening (Nuclear Blast). Review by David Lee Beowülf
Modern Cathedral (Nuclear Blast). Review by David A Clark
The Twisted Rule the Wicked (Nuclear Blast). Review by Keith Bergman
Fevered (Nuclear Blast). Review by Jeremy Wernow
Towards the Twilight (Nuclear Blast). Review by Jeremy Wernow
Misanthropic (Nuclear Blast). Review by Jeremy Wernow
Awake (Nuclear Blast). Review by Jeremy Wernow
Whoracle (Nuclear Blast). Review by Brian Shelley
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.