Beartooth
Beartooth’s Aggressive Tour inspires screams from the Orlando crowd that Vanna Porter swears could have been heard on the moon.
Beartooth’s Aggressive Tour inspires screams from the Orlando crowd that Vanna Porter swears could have been heard on the moon.
Passion Pit gives concertgoers a song and dance to bounce to and a healthy bunch of streamers and sweat for Anna Allred to shake off at night’s end.
Circa Survive and Dredg put on a pair of performances at Orlando’s House of Blues that should officially release them from their previous emo trappings. Jen Cray reports.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.