Lion’s Law
Cut the Rope (Pirate’s Press Records). Review by Scott Adams.
Cut the Rope (Pirate’s Press Records). Review by Scott Adams.
Graveyard Island (Hellcat). Review by Scott Adams.
Simple, catchy punk band Cockney Rejects reflected the tough streets of East End, London, giving name to the Oi subgenre.
Too Little Too Late / Revenge of the Village Idiots (Village Idiot Records). Review by Carl F Gauze.
Same Meat, Different Gravy (TKO Records). Review by Carl F Gauze.
Leaving the Ways (Side One Dummy Records). Review by Jen Cray.
Street Punk Worldwide (Street Anthem /Rebellion / Bandworm). Review by Carl F Gauze.
Return of Jacques de Molay and Phase II (GMM Records). Review by Rob Walsh.
Various Artists (GMM). Review by Rob Walsh.
Various Artists (Disaster). Review by Vinnie Apicella.
Beat The Bastards (Spitfire). Review by David Lee Beowulf.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.