The glass bottom boat of the cultural press
This week, Christopher Long reflects fondly on his misfit tweenage daze, as he discovers a reasonably healthy used vinyl copy of City Nights, the 1978 sophomore set from Canadian pop-rock kingpin, Nick Gilder — for just six bucks!
Rock and roll may never die, but it is old enough to collect social security and occasionally struggles with overdoses. Carl F. Gauze sets up at the quiet bar, where he can still hear his wife, for Rock of Ages at Garden Theatre, Orlando.
No Good Deed (Pretty Good For A Girl Records). Review by Michelle Wilson.
Unwilling Participant. Review by Bob Pomeroy.
Brighton (Exotic Fever). Review by Bob Pomeroy.
Something to Die for (SideOneDummy Records). Review by Jen Cray.
Cosmetic Liquor Love Songs EP. Review by Al Pergande.
Turning Point. Review by Robert Sutton.
This Crazy Life (Geffen). Review by Aaron Shaul.
More Than Motion (Tooth & Nail). Review by Daniel Mitchell.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.