Rancid
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Gather round while philosophers discuss the meaning of Punk Rock in Punk Rock and Philosophy by Joshua Heter and Richard Greene, reviewed by Bob Pomeroy.
Carl F. Gauze reviews Live and Fucking Loud From London on DVD, featuring the queen of rock and roll sex appeal, Wendy O. Williams.
Second time may be lucky, but not without some serious drama along the way.
High-energy American Music done for an older audience at Orlando’s House of Blues.
Invitation (Kill Rock Stars). Review by Bob Pomeroy.
Aftershock (UDR GmbH). Review by Carl F Gauze.
Merchandise makes Gainesville, and Matthew Moyer, swoon like teenagers at an early ’90s Morrissey concert… and that’s a very, very good thing.
Gail Worley talks with drummer Paul Cook of Sex Pistols and Manraze.
Matthew Moyer is glad that Holly George-Warren and the other compilers of this coffeetable-riffic collection of punk photos fetishize image as much as he does.
David Lee Beowulf discusses the meaning of true Punk Rock, litigation and defamation, and many anticipated projects with Bobby Steele, Undead frontman and Misfits’ guitarist circa 1978-1980.
2004 Warped Tour Compilation (Side One Dummy). Review by Addam Donnelly.
Switchblade Tongues, Butterknife Brains (Gearhead). Review by Stein Haukland.
Switchblade Tongues, Butterknife Brains (Gearhead). Review by Stein Haukland.
The Labor Day EP (). Review by Ben Varkentine.
Revolutions Per Minute (Fat Wreck Chords). Review by Daniel Mitchell.
Ink 19 catches up with the always tuneful, never tasteful Turbonegro to find out how the underground is doing, and why they hate the kids. Vinnie Apicella survives – barely.
Human Being Lawnmower (Total Energy). Review by Vinnie Apicella.
We Have Your Daughter (Radical). Review by Vinnie Apicella.
Discontent (Disaster). Review by Vinnie Apicella.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.