Hayes Carll
You Get It All (Dualtone). Review by James Mann.
You Get It All (Dualtone). Review by James Mann.
Tell the Devil…I’m Gettin’ There as Fast as I Can (Bordello Records). Review by James Mann.
The Light (Thirty Tigers). Review by James Mann.
The Ruffian’s Misfortune (Bordello Records). Review by James Mann.
Hayes Carll shushed the loudmouths at Smith’s Olde Bar, much to David Whited’s satisfaction.
Wishbones (Philo/Rounder). Review by Sean Slone.
Growl (Rounder). Review by Matt Cibula.
Crusades of the Restless Knights (Philo/Rounder). Review by Matt Thompson
Crusades of the Restless Nights (Rounder). Review by David Whited
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.