Leif Vollebekk
Revelation (Secret City Records). Review by Carl F. Gauze.
Revelation (Secret City Records). Review by Carl F. Gauze.
Temper Temper (Revelation). Review by Addam Donnelly.
A Love Hate Relationship (Revelation). Review by Addam Donnelly.
…But The Past Ain’t Through With Us (Revelation). Review by Addam Donnelly.
Sirens (Revelation). Review by Nicholas Plante.
Sirens (Revelation). Review by Nicholas Plante.
Stylish Nihilists (Revelation). Review by Stein Haukland.
Chuck Bantam opens his storybook to tell the heartwarming tale of Bob, who was tormented by the queen of gossip, before he transformed into an hardened, obscenity-spewing bastard. It’s a happy ending!
Unfortunately We’re Not Robots (Revelation). Review by Matt Cibula.
Death Is Infinite (Revelation). Review by Daniel Mitchell.
Carpe Diem (Revelation). Review by Daniel Mitchell.
Be A Criminal (Revelation). Review by Daniel Mitchell.
Noble thing Revelation’s trying to do, with expanding the horizons of their r…
Fast and hard-hitting hardcore that has a very east coast feel to it – DC st…
98 Degrees are the Jesus freaks of the boy-band bunch, and although they are …
Emo-kids can mockingly gesticulate all the grrrrrrrs and rooooaaars…
I must say, this band makes itself a tough act to follow. Previous releases h…
Post something. I can never quite decide what. Post-hardcore? It’s not emo, t…
Revelation (Metal Blade). Review by Saucy Jack
Last of the Daydreams (Revelation). Review by Tom Minarchick
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.