Temper Temper
Temper Temper (Revelation). Review by Addam Donnelly.
Temper Temper (Revelation). Review by Addam Donnelly.
A Love Hate Relationship (Revelation). Review by Addam Donnelly.
…But The Past Ain’t Through With Us (Revelation). Review by Addam Donnelly.
Sirens (Revelation). Review by Nicholas Plante.
Sirens (Revelation). Review by Nicholas Plante.
Stylish Nihilists (Revelation). Review by Stein Haukland.
Chuck Bantam opens his storybook to tell the heartwarming tale of Bob, who was tormented by the queen of gossip, before he transformed into an hardened, obscenity-spewing bastard. It’s a happy ending!
Unfortunately We’re Not Robots (Revelation). Review by Matt Cibula.
Death Is Infinite (Revelation). Review by Daniel Mitchell.
Carpe Diem (Revelation). Review by Daniel Mitchell.
Be A Criminal (Revelation). Review by Daniel Mitchell.
Noble thing Revelation’s trying to do, with expanding the horizons of their r…
Fast and hard-hitting hardcore that has a very east coast feel to it – DC st…
98 Degrees are the Jesus freaks of the boy-band bunch, and although they are …
Emo-kids can mockingly gesticulate all the grrrrrrrs and rooooaaars…
I must say, this band makes itself a tough act to follow. Previous releases h…
Post something. I can never quite decide what. Post-hardcore? It’s not emo, t…
Revelation (Metal Blade). Review by Saucy Jack
Last of the Daydreams (Revelation). Review by Tom Minarchick
The Last of the Daydreams (Revelation). Review by Patrick Rafter
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.